Klanghelm MJUC changing-tube compressor v1 0 2 WiN OSX RETAiL-SYNTHiC4TE [oddsox]


MJUC is the most effortful plugin to friend. It took almost two years of cosmopolitan, gamble I say «excessive», investigation and condition. To contemplate MJUC I've researched and analyzed each and every changing-mu* implementation I could get my hands on to get the best of tube compression into a pick processor.

In called-for to do the heterogeneity of this compression topology punishment, three different models have been built. These are kindly of a interval traverse though the experience of tube compression to take hold of the in effect of each formation. Each original has its own dedicated signal scenario and dedicated hold back set. If desired you can twitch the overall fullness and saturation of each original with the unsurpassed TONE COLOUR and the HUSTLE hold back. HUSTLE controls the weight of the input and put out transformers as the saturation of the tube approach stages, if suitable. The TONE COLOUR extends MJUC's use as a fullness shaping device.

MJUC is the first Klanghelm plugin, that«s built with the help of a new framework. That»s brings a lot of new usability features such as GUI-resizing, AB-ing and a be-moneyed policy untrammelled preset browser with save/copy/paste/save-as-fault functionality. Furthermore it's possible to twitch the stud behavior, ok tooltips, show/hide value labels and more. All these features will recover their way to the existing Klanghelm plugin as soon as possible.

Original Mk1 is based on the very beginning changing-mu* designs from the 50s. Due to its damned ear-splitting hold back voltage it doesn«t reveal any audible «thumping», most other changing-mu* designs suffer from at ear-splitting GR and firm timing constants. Also it has a very mere signal scenario, where the compression happens immediately in the audio scenario. The denouement is a very authentic compression screwball with very little distortion. The plan of four(!) changing-mu* stages add to the incredibly heavy and guttural variety of Mk1. Mk1 is the most colored of MJUC»s models.

Original Mk2 is built upon the more complex designs of the 175 and 176 from the beginning 1960s, the all-tube-predecessors of the 1176 FET compressor. It offers four ratios, a density thrash, that enables a second changing-mu* station and reduces the program dependence of the assault and delivery timings to a nadir. Furthermore, it lets you stimulate the interstage transformer to drop overall discordance and distortion and making the compression more accentuated. Compared to Mk1 the second original is less Jazz and more Rock«n»Roll with enhanced generated harmonics and a more deliver sounding screwball.

Original Mk3 is the least colored and most Hi-Fi-sounding original in MJUC. It is Klanghelm«s new-fashioned analysis of this compression topology. The only contemplate hint derived from another new-fashioned famed changing-mu* comp is, that it»s circuitry is done entirely differential, making the portion very noiselessness and almost distortion-released. But the genuine weird item about this original is, that the verifiable compression is done by two different changing-mu* stages, which kindly of business against each other, one works feedforward, while the other in a feedback configuration. This results in a assault accentuating, punchy compression, surprisingly closer to a British G exemplar bus comp than to a 670.

all formats included in a pick commission: AU (32&64Bit) — Mac only, VST (32&64Bit), AAX (32&64Bit), RTAS


variation 1.0.2
— DENSITY and ISTAGE trigger the AGC counting now too
— cutoff frequency of the oversampling filters are set now according to the forecast bite pace (nearly half the forecast bite pace)
— steadiness and compatibility improvements for older Windows versions


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