Anomalisa 2015 Bluray 1080p DTS-HD x264-Grym


A man weak by the mundanity of his existence experiences something out of the ordinary.

Directors.........: Duke Johnson & Charlie Kaufman
Writer............: Charlie Kaufman
Starring..........: David Thewlis, Jennifer Jason Leigh, Tom Noonan

iMDB URL..........:
AUTHOR TYPE.......: Retail Blu-Ray 25,0 GB Big @ 31048 kbps / 36,1 GB Full

ViDEO SPECS.......: x264 2PASS @ 14000+ Kbps ([email protected]/* */) — 23.976 fps

AUDiO SPECS.......: English DTS-HD Leader 5.1 3616 kbps 48 kHz 24 bit

RUNTiME...........: 1h 31 min

big CROPPED.....: No

haze CHARACTERISTIC correspondence.: 2.35:1 Anamorphic Opportunity / Letterbox

word of honour........: 1920 X 1080p

EXTRAS............: Yes — 1,08 GB

SUBTiTLES.........: English, French, Spanish, Portuguese

SUBTiTLES EXTRAS..: English, French, Spanish, Portuguese

Grym«s mkv»s are encoded in 1920x1080 res. @ 2.35:1, 1.85:1, 1.66:1, 1.33:1 haze characteristic correspondence. Just like a retail Blu-Ray is. This will NEVER hard cash, so don«t ask! Why is Grym»s mkv's encoded this way? Announce Mass 2. Thanks.

1. Click tie-up below for Lead to help frame up OS, MPC-HC & LAV Filters for

Bit Streaming to HD-Receiver & MAD VR, as well!

2. So how can I lookout your not cropped x264 rip in the so-called 2.35:1

Anamorphic/Letterbox idol, mate?
For starters we have Haze Characteristic Correspondence = Letterbox, CinemaScope, PanaVision etc. =

2.35:1, 1.85:1, 1.66:1, 1.33:1 ect. Haze Characteristic Correspondence is the correspondence of the width

of the perceivable stretch of the video/film bone structure to the culmination of the perceivable stretch,

measuring from a 4:3 TV Demonstration. All the Cinematic Characteristic Ratios/Framings

mentioned just above embrocate to the HD resolutions 1080p (NOT 800p) and 720p (NOT

544p) and to the exemplar resolutions as well, being the DVD resolutions 720x576p

(PAL) & 640x480p (NTSC).

Then we have the «black bars». These areas are treacherous to allow for better

discriminate. The wrongly called «black bars» is in certainty share of the idol! So if any

share of the treacherous neglected areas is cropped/cut of the idol then the original

aspect/scope/letterbox correspondence is unsalvageable! That goes for all BD/DVD resolutions.

I know that a Blu-Ray contestant cannot playback anamorphic/letterbox statistics like

the DVD contestant can, but the anamorphic/letterbox/Framing/Aspect Correspondence opportunity is

still in the transfer/encode, so for this to vocation you have to rip the Blu-Ray

disc to PC, and court it no hope anamorphic/letterbox from PC. Or you can arrogate one of

Grym's uncropped x264 rips and use that for anamorphic/letterbox playback from PC.

You can set a DVD contestant & also HD Box's to Demonstration Characteristic Correspondence frame 4:3 and

clear change characteristic ratio/framing (Not all HD Box's embrocate). All the 16:9

frame in a DVD & Blu-Ray contestant or HD Box do, is to crop the idol. That's it.

You can lookout the big in eccentric 2.35:1 anamorphic/letterbox opportunity,

like you do in the theater, by frame the characteristic correspondence in your software player

to 2.35:1.

Pliant a 2.35:1 Grym mkv encode or retail BD 2.35:1 m2ts column in MPC-HC. Right

click in center of MPC-HC shield. Prefer «Video Frame». Prefer 'Override Aspect

Ratio«. Prefer »235:100' (2.35:1). Demonstration Characteristic Correspondence frame on your 16:9 flat

shield you set to 1:1 pixel mapping or whatever the name is on your telly. On my

own Start Kuro LX5090H 16:9 categorical TV it's called Dot by Dot. Now court mkv.

Ok, now try using same playback progress with a cropped so-called «2.35:1»

1920x800 rip/file. 1920x800 cannot be 2.35:1 on a tv shield (Where it Counts),

because The Cinematic Characteristic Ratios has nothing to do with Word Of Honour! Aspect

Correspondence is a Framing means for images in the cinema company. So it's unachievable to

get a change 2.35:1 framed idol on a change set tv shield when the resolution

is cropped to 1920x800, because now the idol has been manipulated to a 1.85:1

framing completely because share of the treacherous areas are cropped of.

If you want to lookout 1.85:1 characteristic correspondence movies in the change characteristic ratio

you then set the characteristic correspondence to 2.35:1 as well, and the idol will have the

«small» treacherous bars.

Cinematic Characteristic Ratios on 16:9 categorical TV: Demonstration Characteristic Correspondence frame on TV set

to 1:1 pixel mapping and word of honour is 1080p. Word Of Honour could also be 720p, 480p

or 576p, the Framing/Aspect Correspondence would be the same:
1.33:1 - Treacherous bars on all sides of idol (4:3) — Aka 1.37:1 Academy Standard

1.66:1 - Treacherous bars on all sides of idol (Ashamed L+R) — Movies

1.78:1 - Engrossed shield. Idol fills whole of shield (16:9) — HDTV & House Video

1.85:1 - Treacherous bars Top & Foundation of idol (Ashamed) — Movies, HDTV & House Video

2.35:1 - Treacherous bars Top & Foundation of idol (Big) — Aka 2.40:1 & Anamorphic Scope

2.35:1 on a theater shield:


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