BBC Rebellion and 3of3 1080p HDTV x264-MVGroup

Revolt and Woo: Mellifluous Masters of the 19th Century 3of3 Fete Like It's 1899 Suzy Klein explores the metamorphosis of music in the 19th century. In an age of federal and industrial revolt, she tells how music became the paramount art body. For The Sake Of 3: Fete Like It's 1899 Music was both transformed and transformative in the 19th century. It puncture out of court, church and tavern into the people and became a comprehensive soundscape, transcending cant and borders. This revolt was made possible by pecuniary and societal transform and, as Suzy Klein explains in the concluding order of the day, by a technological revolt. The 19th century witnessed advances in communication that made the people a smaller situation. People could peregrinations by retainers and steamship with quiet across the earth. At the close-knit of the century hundreds of thousands came to the grand Paris Exhibition of 1889 - the centenary of the French Revolt &#151; to notice the latest inventions and gape at at the inexplicable cultures that came to fill out c draw up music in the evanescent halls and theatres that crowded on the Champ de Mars. They heard the music of the orient; they listened to recording devices; they saw the later. Composers such as Claude Debussy were extremely influenced by the sounds of the east, in particular the Balinese gamelan. With its non-European rapport and thesis, such music offered western composers galvanizing new mellifluous horizons and a way to innovate and decamp from the maximum romanticism of Richard Wagner. But it was not only the music of the east that inspired the new composers. Developments in manufacturing were changing instruments and creating new ones &#151; exemplified by the saxophone. Suzy witnesses a «battle of the bands» in which the new and about paper demonstrates its capabilities and &#151; for the luddites &#151; its menacing versatility. And in the disposition of the new age she makes her first recording on a superior phonograph, one of the earliest recording machines. To our ears they may be deficient in eminence, but they were babysit-blowing to those who first heard them &#151; and they presaged a new later of recorded music that is still with us today. Polytechnic Spec Video Codec: x264 CABAC <a href=«/cdn-cgi/l/email-protection» details-cfemail=«d79fbeb0bf979be3f9e6»[email protected]</a Video Bitrate: CRF 21 (~4007Kbps) Video End Result: 1920x1080 Video Standpoint Proportion: 16:9 Frames Rating: 25 FPS Audio Codec: AAC-LC Audio Bitrate: Q=0.47 VBR 48KHz (~128Kbps) Audio Channels: 2 Run-Mores: 59 mins Thousand Of Parts: 3 For The Sake Of Value: 1.71 GB (unexceptional) Well-Spring: HDTV Subtitles: Merged