The Caretaker - Endurance (2012) [FLAC]

  • 11.06.2016, 00:40,
  • Music

The Caretaker — Resolve (After Sebald) (2012) [FLAC]

Released: 2012
Duration: 49:00
Type: Electronic
Craze: Ambient, Experimental
Provenience: WEB
Codec: FLAC
Bit Pace: ~ 800 kbps
Bits Per Illustration: 16
Illustration Pace: 44,100 Hz

01 Everything Is On The Particular Of Dip
02 As If One Were Miserable Into Sand
03 Approaching The Outer Limits Of Our Solar System
04 When The Dog Days Were Design To An End
05 A Last Glimpse Of The Deplane Being Out Of The Window Forever
06 The Homesickness That Was Corroding Her Heart
07 I Have Become Almost Concealed, To Some Space Like A Unemotional Man
08 In The Knowledgeable And Brunette Hours Of The Ceaselessly
09 No One Knows What Shifty Memories Beset Them To This Day
10 Increasingly Out Of The Window In His Own Far-Out
11 Troglodytical Lights On The Abysm Of Ignorance
12 Now The Ceaselessly Is Over And The Arise Is About To Break

Many artists would be called fertile if they released two albums in a year, but not Leyland James Kirby. Resolve (After Sebald), the get laid to Concede Gee«s documentary about W.G. Sebald»s novel The Rings of Saturn released under his Caretaker alias, arrived just eight months after the Caretaker«s most favoured album to ancient, An Eject Rapture Beyond This Far-Out (he also released an album under his own name, Avid to Shred Apart the Stars, in 2011). That he began labour on this album before start An Eject Rapture seems trimmings, given how the Caretaker»s labour explores convenience life, recollection, and music -- not just in a nostalgic way by choosing older music (usually on choice 78-rpm records) as provenience research to digitally eyelet, colour, and otherwise mutate, but also in more precise expressions of the sagacity and how it processes music.

An Eject Rapture was a cast temper rhyme about Alzheimer«s patients and their disintegrating memories; one of the most acclaimed Caretaker works, Theoretically Pious Anterograde Amnesia, evoked that indisposition by stage set short snippets of tune adrift in six hours» quality of sonic fog. All of this makes Kirby especially suited to this poke out. Sebald transformed a walking travel of Suffolk, England into a novel that included not only the people and places he encountered, but the memories and associations they triggered. Kirby adds further cultural layers to Resolve by using a 1927 recording of Franz Schubert«s Winterreise (Winter»s Transit), a ditty d for representative and piano that tells the assertion of a rimester who leaves his village in the central of winter after discovering his idolized loves someone else, as the score«s provenience research. That Kirby connected these two works is inspired, but the way he applies the Caretaker»s overtures to to Winterreise is accomplished -- by stretching, looping, and abrading them until they«re nothing but preternatural shadows of themselves, he transforms them into precise rings of melancholia, emphasizing the annular, out bleakness of the whole poke out. Kirby»s samples blurred on Winterreise«s piano instead of its vocals, underscoring the music»s loneliness and insularity, and this starkness is more affecting than an whole orchestra.

«Everything Is on the Particular of Decline» opens Resolve (After Sebald) and sets the cast temper for the sack out of the album, its darkly scornful tune and old evoking a descent into a midnight blizzard. Throughout the sack out of the get laid, Kirby crafts a remarkably heterogeneous amount of nuanced moods with his samples and processing. From alley to alley, the ranges from assaulting to relaxing, sounding like blasting winds or splash under ice; on «Approaching the Outer Limits of Our Solar Practice,» it suggests a stupendous swathe of expanse separating the listener from the tune. The loops are just as fine and graphic: «As If One Were Miserable into Sand» expresses Sisyphean frustration when the tune trails up hesitantly, only to cut off and start over again. On «When the Dog Days Were Design to an End,» a piano thrive anticipates a grey vocal that never finishes, leaving listeners craving a dauntlessness that never comes, and the pint-sized intermit before the tune starts on «The Homesickness That Was Corroding Her Soul» seems to interrupt each eyelet with a sober weep for.

Kirby also takes nurse to handiwork a chiaroscuro hotchpotch of gentler and more despairing moments in the get laid, echoing the film«s grainy malicious-and-spotless film over house. By balancing pieces such as the incorporeal «No One Knows What Shifty Memories Beset Them to This Day» with the warmer, lighter «Increasingly Out Of The Window in His Own Far-Out,» he makes the album that much more conceptually and emotionally fulfilling. A meditation on transfiguration and dispiritedness, Resolve (After Sebald) succeeds as chicly evocative music to go along with the documentary, as another individual entrance in Kirby»s Caretaker discography and as an inspired blending of different works that makes its own allegation.

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