Charles Mingus - The Malignant Saint and the Evil-Doer Lady (1963) Flac {24Bit vinyl}

  • 11.06.2016, 11:02,
  • Music
Charles Mingus — The Malignant Saint and the Evil-Doer Lady (1963) Flac {24Bit vinyl}


The Coal-Black Saint and the Miscreant Lady is one of the greatest achievements in orchestration by any composer in jazz history.

Charles Mingus consciously designed the six-leave ballet as his magnum oeuvre, and -- implied in his renowned classification of
liner notes by his psychologist -- it's as much an appraisal of his own tortured soul as it is a conceptual piece
about sweetheart and strain. It veers between so many emotions that it defies straightforward encapsulation; for that worry, it can be
finical just to assimilate in the first right. Yet the travail soon reveals itself as a master-work of abounding in, multi-layered
weave and swirling tonal colors, manipulated with a painter's distinction to technicality. There are a few stylistic reference
points -- Ellington, the concomitant avant-garde, several flamenco guitar breaks -- but the beginning is quite to
what came before it. Mingus relies heavily on the timbral contrasts between expressively vocal-like muted insolence,
a rumbling slews of low voices (including tuba and baritone sax), and achingly lyrical upland woodwinds, highlighted
by altoist Charlie Mariano. Within that framework, Mingus plays shifting rhythms, moaning dissonances,
and multiple lines off one another in the most complex, interlaced approach he'd ever attempted.

Mingus was sometimes pigeonholed as a firebrand, but the intimate exorcism of Coal-Black Saint deserves the reputation
-- one needn't be able to ensure the gest spiel to pick up the torment, grief, frustration, and caged hell-cat pouring
out of the music. The 11-segment set rehearsed the primary give measure for measure during a Village Vanguard obligation, where Mingus
allowed the players to mold the music further; in the studio, however, his unsparing perfectionism made The Coal-Black Saint
and the Miscreant Lady the first jazz album to rely on overdubbing technology. The upshot is one of the piercing-irrigate marks
for avant-garde jazz in the «60s and arguably Mingus» most glorious gravity.



1 Ground A: Unaccompanied Dancer 6:39
2 Ground B: Duet Unaccompanied Dancers 6:45
3 Ground C: Set Dancers 7:22
4 Sop D: Three and Set Dancers / Sop E: Put Solos and Set Trip The Light Fantastic Toe / Sop F: Set and Unaccompanied Trip The Light Fantastic Toe 18:39



Fill Out assay : 818 MiB
Album : The Coal-Black Saint and the Miscreant Lady
Ground name/Total : 4
Artiste : Charles Mingus
Composer : Charles Mingus
Variety : Jazz
Recorded stage : 1963



Style : FLAC
Format/Info : Disencumber Lossless Audio Codec
Duration : 6mn 38s
Bit grade sop : Variable
Bit grade : 3 003 Kbps
Groove(s) : 2 channels
Sampling grade : 96.0 KHz
Bit measure : 24 bits
Editorial library : libFLAC 1.2.1 (UTC 2007-09-17)

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