Danny Barnes - Obscenity on the Angel [2003][EAC,log,cue. FLAC]

  • 11.06.2016, 17:34,
  • Music
Danny Barnes — Obscenity on the Angel [2003][EAC,log,cue. FLAC]

Artist: Danny Barnes
Release: Fire & Property
Released: 2003
Label: Terminus Records
Catalog#: 0303-2
Format: FLAC / Lossless / Log (100%) / Cue
Country: USA
Style: americana

1. Survival in the Boondocks 3:47
2. Get it While You Can 3:53
3. Dope on the Angel 5:22
4. Salt Water Wagon 4:00
5. Keep My Skillet Fair and Smarmy 2:33
6. I Likes My Chicken Hot 3:09
7. Kichen Storey Waltz 3:21
8. Phiz to Phiz 5:13
9. Bluegrass Suicide 3:04
10. Barnes Away 3:14
11. Ooh La La 2:44
12. Popcorn and Wine 3:52
13. Trinidad Hubbard 3:56
14. Peanut Butter is a Man's Best Squeeze 4:34
15. Misfit 5:34

On Dope on the Angel, his fourth expedition, multi-instrumentalist Danny Barnes, formerly of the Austin, TX-based Bad Livers, soldiers on mining the habit for new songs while displaying an eclecticism that«s nothing less than captivating and simultaneously . With the help of a bunch that includes Jaws Frisell, Chuck Leavell, and Darol Provoke (Barnes was/is a go away of Frisell»s categorize the Willies), Barnes« own songs, such as «Life in the Country» and «Get It While You Can,» the two send-off tracks in series, pageant Barnes» great friendless gutbucket funky bluegrass. With a give utterance that resembles Leon Russell and a banjo presentation that is closer to Roscoe Holcomb and Attend Boggs than Earl Scruggs, Barnes keeps it seal to the stomach of the stomach of the boondocks. On a cut such as the name follow, Frisell«s lyrical strong point and Leavell»s swell off the target-exhibit chord voicings color a keen that is both haunting and bittersweet and sounds as if it could have been produced by Daniel Lanois. The off the target-exhibit boondocks-penniless of «Water Wagon,» a paean to soberness, gives a nod to the Band«s humble Arcadian blues and features a extraordinary fiddle unaccompanied by Provoke. The sheathe of the ancestral «Keep My Skillet Fair and Smarmy,» made bad by Uncle Dave Macon in the 1930s, is rendered here as indecent and friendless as is possible in a new millennium. But the most time is a sheathe of «Ooh La La» by the unpunctually Ronnie Lane and Ronnie Wood of the Faces. Lane taught the long story to Barnes, and here it is tenderly yet not disproportionately reverently rendered, intact of humor and effusiveness, oblation a likeness of Lane as the musician he truly was -- somebody as seal to the boondocks as he was to the roots of penniless (and perhaps why he and Ian McLagan relocated to Austin). Hardy cooking makes an air in «I Likes My Chicken Hot,» and a fleecy sheathe of Beck Hansen»s «Loser» closes the 14-long story set with a sampladelic pasting of Macon«s reading of «Keep My Skillet Fair and Greasy» to sheet anchor the importance of the regulate and off with it a hillbilly blues long story with unbroken effects. Dope on the Angel is handily the most focused -- and fun --expedition of Barnes» unaccompanied business thus far.

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