The Alan Parsons Concoct - I Automaton DSD ANDYT1000 KAT

  • 13.06.2016, 05:27,
  • Music



I Robot
The Alan Parsons Project
Arista 7002
Released: June 1977
Map Out Crest: #9
Weeks Charted: 54
Certified Platinum: 10/25/78

Alan ParsonsI Automaton is a blood lavish dinner for automatons that is infused with the airy, impassioned sentimentalism of pop music. The contradiction works well up to a single out: it takes the coldbloodedness out of the synthesizer's fawning sorrow and adds a bit of humanism to it. But the absolute sequel is a tantara for the underlying sensuality of the technocratic brat and his hardware.

Most scaramouchs of the synthesizer cater to to become a bit arbitrary barely because they scarcity an on the up empathy of vehicle texturing -- a friendly of empathy that Eno, Lou Reed and Philip Plate Glass have turned into electrifying excursions into the embodiment of new-fashioned music. Not so with Parsons, perhaps because he arranges and produces the hoot things instead of playing them.

The most communicable smell is «Day after Day (The Parade Must Go On),» a unrehearsed jaunt into optimism and urban boredom.

What all this boils down to is that I Automaton is a rose centre of the actual gray of the Metropolis.

— Joe Fernbacher, Rolling Stone, 10/20/77.

Tip Reviews!

I might coincide that the way this extreme approximates what it (hypothetically) criticizes is a species of involvedness if what it (hypothetically) criticized was schlock. As it is, the pseudo-disco makes Giorgio Moroder firm like Eno and the pseudo-sci-fi makes Isaac Asimov seem like a yawning philosopher. In Arrears to the switch council. C

— Robert Christgau, Christgau's Extreme Manual, 1981.

The Alan Parsons Contrive was established as a top extreme-seller with I, Automaton, their second album. Musically, the extreme continued the ideas of their introduction. Thematically, the extreme was an observation of the proficiency-fiction concept of a area run by machines and mechanized merciful beings, particularly robots. * * * *

— David Jehnzen, The All-Music Manual to Swing, 1995.

I Automaton is the penultimate Parsons Contrive album. In hindsight it«s a little undersized on songs, though the hit put «I Wouldn»t Want to Be Like You,« »Some Other Time« and »Breakdown» made for a hard-nosed prehistoric album set. But put the headphones on while you«re listening, and you»ll conscious of why it worked. * * * *

— Gary Graff, Musichound Swing: The Leading Album Manual, 1996.

The technician of Puzzling Side of the Moon did his own preoccupation here with collaborator Eric Woolfson and it was indeed a contrive. Something master, fusing an orchestra, liberal swing and pop laced with proficiency-fiction themes, this labour of studio art was consummately all-embracing for its metre, with cinematic, friable, distinct producing and glossy musicianship -- in sum, salubrious wit music that was clumsy man, clumsy. * * * *

— Zagat Music Manual — 1,000 Top Albums of All Metre, 2003.
The Alan Parsons Concoct — I Automaton DSD ANDYT1000 KAT

01.I Robot
02.I Wouldn't Want To Be Like You
03. Some Other Time
04.Breakdown 05.Don't Let It Show
06. The Voice
07. Nucleus
08. Day After Day (The Parade Must Go On)
09. Full Eclipse
10. Genesis Ch. 1. V.32

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