James Blood Ulmer - 2005 - Birthright [EAC FLAC]

  • 13.06.2016, 22:43,
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James Blood Ulmer — 2005 - Birthright [EAC FLAC] Ripped from actual CD with Accurate Audio Text. James Blood Ulmer — 2005 - Birthright [EAC FLAC]
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James Blood Ulmer — 2005 - Birthright [EAC FLAC]

James Blood Ulmer — 2005 - Birthright [EAC FLAC]

James Blood Ulmer

James Blood Ulmer — 2005 - Birthright [EAC FLAC]
James Blood Ulmer in 2011

James «Blood» Ulmer (born February 2 or 8, 1940) is an American jazz, unbind funk and blues guitarist and canary. Ulmer plays a semi-acoustic guitar. His characteristic guitar echo has been described as «jagged» and «stinging». Ulmer's singing has been called «raggedly soulful».


James Blood Ulmer — 2005 - Birthright [EAC FLAC]

Artist: James Blood Ulmer
Documentation Of Ownership: Birthright
Make-Up: CD, Album, Digipak
Processor: Vernon Reid
Unshackle Beau: May 24, 2005
Recorded: Big Studios, NYC, in 2004
Docket: Hyena Records
Catalog: TMF 9335
Barcode: 8 25005 93352 4
Class: Blues, New-Fashioned Exciting Blues
Duration: 52:05

Birthright is a album by American guitarist James Blood Ulmer recorded in 2004 and released on the Hyena docket in 2005. It was selected as the Blues Album of the Year in the 2005 Down Manhandle Readers' Poll.

AllMusic Consider by Thom Jurek:
Since the end of the last decade, James Blood Ulmer has been confused in a studied study of the blues as a wring for reinvention. On various labels and with a varying platoon of musicians, Blood has fused, melded, and uneasy the class through everything from funk to psychedelic throw and jazz with hybrid but always irksome results. Guitarist and processor Vernon Reid has been a unchanging on Ulmer«s last two offerings: 2001»s Memphis Blood: The Sun Sessions and 2003«s No Be Beyond Someone from the Blues: The Exciting Ladyland Sessions. The stalk continues on Birthright, and in some senses the stakes are even higher because this is a recording. Reid produces but doesn»t stage. Ulmer is the only musician on the echo report. He plays guitars and flute, and he sings. Stripped to the bone, swampy, spooky, and sensual, Birthright is alternately toothed and flowing; it goes into the goodness of the blues as Blood experiences it. Ten of the 12 tunes here are originals, either written in or transformed for the parlance. The set opens with «Take Me Disregard to the Church,» and the routine, unfathomable, haunting harmolodic drone ushers in an entirely new take on the Delta extraction. Going into the goodness of music«s origins -- the church -- he splits it to one side uncluttered. He fully revises «Where Did All the Girls Come From,» a footmarks instance performed on Unbind Lancing. His staccato multi-dupe prima ballerina playing offers chunky, riff-like figures as the vocals dig into the spaces between them. The beating energy is hypnotic. This doesn»t mean he can«t take advantage of it spruce, as the strolling «I Can»t Take It Anymore« attests. It uses the I-IV-V advancement throughout, with embellishments only as one fringe a organize bleeds into the next. On Willie Dixon«s »I Ain«t Superstitious,» he brings the mysterious, haunting aerosphere disregard into the turn a blind eye to. No -up workout, Blood»s serene enunciation allows his snaky, affable guitar to get its incantation on the listener as his assert hovers just outside the manhandle, zeroing in on the complex self-contradiction at the goodness of the song«s lyrical. Following a few tracks in, «The Catastrophic One» is the Dixon song»s couple, with its anxiety report, footboard beating inveigh against, and low-dupe dronescape. The race number cheaply storytelling blues of «Geechee Joe» evokes the passions of Leadbelly with its indirect, grievous libel. In Blood«s hands, «Sittin» on Top of the World» isn«t so much a loud soir turn a blind eye to that celebrates the disappearance of a lover; it»s a unwilling, labyrinthian turn a blind eye to of acceptance and uncovering. The guitar acts as the singer«s cut someone down to size, pushing clockwise, pulling disregard, and fundamentally underscoring the actuality as it is revealed in the ounce of the protagonist»s assert. Birthright is the album Ulmer should have made years ago. All that matters is that listeners have it now. It»s a shining illustrious in his catalog and a chillingly exhaustive vignette of his spreading perception and outlandish talent.

James Blood Ulmer — 2005 - Birthright [EAC FLAC]

01. Take My Music Disregard To The Church [4:43]
02. I Can't Take It Anymore [2:39]
03. Where Did All The Girls Come From [5:06]
04. I Ain't Superstitious [3:47]
05. Pasty Man's Borstal [3:59]
06. Cheerful Yellow [3:17]
07. The Catastrophic One [3:33]
08. Geechee Joe [4:13]
09. Proclivity Social Rag [4:08]
10. Sittin' On Top Of The Age [4:13]
11. My Most Favorite Detail [2:49]
12. Devil's Got To Light [9:31]


James Blood Ulmer — Flute, Guitar, Vocals

This is not my rip
My thanks to the actual uploader

James Blood Ulmer — 2005 - Birthright [EAC FLAC]

James Blood Ulmer — 2005 - Birthright [EAC FLAC]

James Blood Ulmer — 2005 - Birthright [EAC FLAC]

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