The Afghan Whigs - Do to the Savage (2014) [FLAC]

  • 14.06.2016, 16:02,
  • Music

The Afghan Whigs — Do to the Creature (2014) [FLAC]

Character: Pop/Rock
Styles: Indie, Alternative
Provenance: CD (log + cue)
Codec: FLAC
Bitrate: ~ 1,000 kbps
Bit In Detail: 16
Specimen Anyway: 44.1 kHz

01 Parked Outside
02 Matamoros
03 It Kills
04 Algiers
05 Damned in the Woods
06 The Lottery
07 Can Rova
08 Noblewoman Cream
09 I Am Fire
10 These Sticks

Of the bands that came from the «heavy alternative» section typified by the Sub Pop roster in the up-to-date «80s to at cock crow »90s, the Afghan Whigs were one of the very best, and also one of the least likely to hook with a heap audience -- their music was imprinted and authoritative, the songs were exceptional sincerity-inflected incomprehensible outcrop, and Greg Dulli«s nicotine-bathed air was the suitable fit for their lilting advance, but they were willing to dig deeper into the impenetrable spaces of self-repugnance and underprivileged affective manipulation than anyone else in outcrop, and as a consequence their finest and most compelling album, 1993»s Gentlemen, was often incomprehensible to sanction for all its iron enchantment with the execrable side of the man«s . It seemed the border couldn»t go any deeper, and they didn«t on their terminal two albums, 1996»s Coloured Paramour and 1998«s 1965, but after a heroically received reunion travel in 2012, the Afghan Whigs returned to the recording studio and have offered up a trade nearly as impenetrable and perturbing as Gentlemen, 2014»s Do to the Creature.

It sounds a advantage bit different than their whilom trade: choir girl and songwriter Dulli and bassist/multi-instrumentalist John Curley are the only autochthonous members of the border on lodge, and the sheets of moving guitar generated by Rick McCollum are particularly missed, replaced with a larger orchestra (including lots of keys, accessory strings, and elaborate percussion) that boasts a broader major capacity than the prototype Whigs politic but fails to hook with the same ferocity. Dulli«s phrasing and discrimination of stagecraft are as powerful as ever, but his thingummy is significantly grainier than it has been in the before, and he has a bit of torment making this bodily deserve (the incident that his vocals are habitually the briny deep in the mix doesn»t help much). And Do to the Creature chronicles a relationship just as damaged as you«d look forward from Dulli, but the songs don»t quite cohere into a larger report with the etiquette of his best trade, even if the performances and arrangements run to be something more than the sum of their parts. Do to the Creature is an overambitious to re-generate the hunch of the Afghan Whigs while retooling their sonic fingerprint; the terminal produce is smart and often fascinating, but it doesn't enfranchise like the Afghan Whigs do at their best, and fundamentally comes off as a macho but somewhat unsatisfying inquiry.

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