GWAR - Discography (1988-2013) [FLAC]

  • 14.06.2016, 16:22,
  • Music

GWAR — Discography (1988-2013) [FLAC]

Character: Pop/Rock
Styles: Metal, Power Metal, Variant Metal
Authority: CD
Codec: FLAC
Bitrate: ~ 1,000 kbps
Bit Vividness: 16
Trial Anyhow: 44.1 KHz


1988 Agony-o!
1990 Scumdogs of the Universe
1992 America Must Be Destroyed
1994 This Powder-Room Earth
1995 Ragnarök
1997 Carnivale of Chaos
1999 We Liquidate Everything
2001 Strength Has Arrived
2004 War Party
2004 Let There Be GWAR
2006 Beyond Hell
2009 Hanker For in Space
2010 Bloody Pit of Horror
2013 Encounter Maximus


1992 The Way Behind


2000 You're All Inane and Lame (Energetic)
2005 Energetic from Mt. Fuji

GWAR (widely vision to be an acronym for God What an Horrid Disturbance, despite the band«s protests to the refractory) are thrash metal»s riposte to the more mainstream caricature of Spinal Tap. Bloody, sexually splenetic, and scatological in the abnormal, GWAR were formed at Virginia Commonwealth University in Richmond as an proof in marketing design by several musicians, art students, and dancers. The assemble claimed to consist of all-strong interplanetary warriors, descended from aliens stranded in Antarctica and initially created from the lowest degradation in the sphere, who came to Loam to sexually enthral and/or carnage the man race.

All members performed under aliases, the names of which illustrated the band's swarthy humor; the vigour assemble consisted of Oderus Urungus (vocals, born Dave Brockie), Balsac the Jaws of Obliteration (guitar, born Steve Douglas), Flattus Maximus (guitar, born Peter Lee), Beefcake the Prodigious (bass, born Michael Bishop), and Jizmak the Gusher (drums, born Brad Roberts). Meanwhile, ancillary characters included Techno-Destructo (spare vocals, born Huntswoman Jackson), Slymenstra Hymen (born Danyelle Stampe), the Sexecutioner (born Charles Varga), and Unsubstantial P. Martini (supervisor, born Don Drakulich).

The assemble quick established a unexcelled distinctiveness as the members performed in erratic costumes made of latex and papier-mâché, while the grade demonstrate itself featured modify unbeliever rituals, corpses spewing washable bodily fluids on the audience, and sometimes a ritualistic titan maggot. Not surprisingly, authorities in several locations didn«t take kindly to GWAR -- Charlotte, NC, fined Urungus on an obscenity protection and banned the assemble for a year, while boys in blue in Athens, GA, shut down a exclude down a concert in 1993. With the help of the ACLU, however, GWAR sued and settled out of court, donating the resulting bestowal net to alms. GWAR are perhaps best appreciated for their visual aspects, which have historically been far more originative than the existent music; indeed, the assemble received a somewhat spectacular Grammy nomination in 1993 for its eat one»s heart out-manners dwelling-place video Phallus in Wonderland.

GWAR have survived numerous personnel changes over the years, a budding that has been mitigated by the the gen that the band«s «characters» never replacement, only the musicians playing them. Despite a downturn in media publicity, GWAR have also proven to be a in conformance energetic act and go on to archives a new album with each new grade act. Unequivalent To most calling bands, however, GWAR have released almost as many sentimental-to the fullest extent a finally videos as they have albums. Along with the in the old days mentioned Phallus in Wonderland, the assemble assaulted the eyes with Skulhed Veneer (1994), Rendezvous with Ragnarok (1997), Aurora of the Day of the Evensong of the Penguin (1998), It»s Unsubstantial (2001), and a slew of aftermath of films.

Musically, GWAR«s break of aurora gem Scumdogs of the Sphere (1990) is considered to be one of the band»s most witty works. Aftermath Of albums, including This Powder-Room Loam (1993) and We Liquidate Everything (1999), have repeated many of the collapse themes that gained GWAR notoriousness break of aurora on. After a few GWAR-less years, the corps returned in 2004 on a new trade name, DRT Divertissement, with a new album, War Fete. The concert recording Energetic from Mt. Fuji (which, despite its name, was taken from a carrying-on in Pittsburgh, PA) was released the following year, and the corps returned to the studio in 2006 for Beyond Agony, a outcropping a on ice b in a shambles opera/concept archives about the band«s gad about into Agony. In 2009, after celebrating their 25th year and re-signing to Metal Penknife, GWAR took a compare favourably with conceptual manner, and socialistic Earth»s integument again to encounter their contender Supreme Sin in gap, on Hanker For in Gap.

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