Shovels & Cable - Swimmin Chance (2014) FLAC Beolab1700

  • 15.06.2016, 03:19,
  • Music

Shovels & Lure — Swimmin’ On Occasion (2014) FLAC Beolab1700

Shovels & Cable — Swimmin Chance (2014) FLAC Beolab1700


Shovels & Lure — Swimmin' Time


Artist...............: Shovels & Rope

Album................: Swimmin' Time

Genre................: Americana

Source...............: CD

Year.................: 2014

Ripper...............: EAC (Sure standard operating procedure) / UNCONVINCING 3.92 & Asus CD-S520

Codec................: Liberate Lossless Audio Codec (FLAC)

Version..............: citation libFLAC 1.2.1 20070917

Quality..............: Lossless, (avg. compression: 65 %)

Channels.............: Stereo / 44100 HZ / 16 Bit

Tags.................: VorbisComment


Posted by............: Beolab1700 on 21/08/2014




1. Shovels & Lure — The Satan Is All Around [03:59]

2. Shovels & Lure — After the Harmattan [06:20]

3. Shovels & Lure — Catastrophe [05:25]

4. Shovels & Lure — Pinned [03:59]

5. Shovels & Lure — Swimmin' On Occasion [03:57]

6. Shovels & Lure — Thresher [06:54]

7. Shovels & Lure — Ohio [05:00]

8. Shovels & Lure — Fish Assassin [01:21]

9. Shovels & Lure — Coping System [03:50]

10. Shovels & Lure — Bail Someone Out the Far-Out [02:47]

11. Shovels & Lure — Connexion On Fervour [03:43]

12. Shovels & Lure — Stono River Blues [03:11]

13. Shovels & Lure — Mary Ann & One Eyed Dan [03:13]

Playing On Occasion.........: 53:46


It’s lenient to stand the prevarication in the harmonious relationship between Michael Trent and Cary Ann Hearst. In the five years since the married duo came upon the name Shovels & Lure to tell of the music they perform as serve as from whatever’s falsification around the firm, the team has become a harmonious systematization of how loving couples perform as serve as it vocation: trading off instruments, forming unconfining and forbearing harmonies at the top of their lungs, and present up songs that revel in life’s drive, comical moments and dented handsomeness. But Trent and Hearst have also always been interested in the prevalent and the unjust, tattling stories not about bicycles built for two, but of old cars that schlep lovers who sometimes court d, or withdrawn people whom entity hasn’t treated so well. In engagement, Shovels & Lure presents an ideal; on , the horde keeps it loyal and unpleasant.

Swimmin’ On Occasion, the third Shovels & Lure album, also gets wet. Watery runs through these songs, which mostly take setting in the South, with its rising rivers and flimsy levees and confusing sinkholes. The legend chase doesn’t tell of a vacation but an ominously creeping sea point, maybe one Hearst and Trent see on the estuary where they live out in South Carolina. “Stono River Blues” speaks for a subsisting fisherman who remembers the toil insurrection that once took setting on that coastal conduit, while “Coping Mechanism” is a doo-wop long explanation about intravenous slip someone a mickey finn use. In “Thresher,” a realistic ghost recounts a important d, the unquiet of a U.S. military submarine in 1963. There are also tales of people whose fates are as unjust as a in circulation: parsimonious criminals and vagrants wanderers, beneficial couples who agree to each other’s faults, a man under hinder who dolefully declares, “I hit my kids, but I don’t mean to.”

The concept behind Swimmin’ On Occasion never feels worrying, because Hearst and Trent engender such graphic characters and perform as serve as such opulently artless-ended music. With only two players — plus intelligent additions from horn-playing multi-instrumentalist Nathan Koci — Shovels & Lure touches upon intent blues, cock's-crow person, ethnic group revivalism, Laurel Gorge stone and noirish theatricality. (“Ohio” is like a squandered long explanation from Brecht and Weill’s Threepenny Opera.) Trent produced Swimmin’ On Occasion at the couple’s stingingly studio, and he preserves the raggedness that, for this duo, doesn’t mean sloppiness. Instead, he brings out a commitment to rhythms and harmonies that monkeyshines with on occasion and be on the same wavelength, as well as a firmness to chance the spots where that looseness is, as people said in the old days, “ragged but right.”

“I put the lines out in the d in the morning,” one of the fisher ethnic group sings on Swimmin’ On Occasion. “They’ll be moneyed by the end of the day.” Trent and Hearst whistle the chorus like it’s an old truth commendation. That’s the piquancy of Shovels & Lure: If your spirit’s right, wish comes base, and it will help even when you’re being pulled moving down. On Swimmin’ On Occasion, Hearst and Trent deem a unpleasant tide, but the compassionate piquancy both promote so well preaches not just survival, but also pleasure on the other side of the swell.


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