Thelonious Religious 24 Bit Vinyl Quit

  • 15.06.2016, 08:52,
  • Music

Thelonious Religious 24 Bit Vinyl Pack

Genus: Jazz
Mode: Bop, Uncompassionate Bop, Modal Music, Industry-Bop, Latest Big Band
Outset: Vinyl
Codec: FLAC
Bit Rates: 2,800 — 3,000 kbps
Bits Per Taste: 24
Taste Appraise: 96,000 Hz

Brillant Corners
Monk's Music
With John Coltrane at Carnegie Hall
At the Blackhawk
Alone in San Francisco
The London Chrestomathy Capacity 1
Something in Blue
Gift of Latest Music
At the It Club
Mulligan Meets Monk
Explicit, No Chaser
At Municipality Hall
Thelonious Himself

The most formidable jazz musicians are the ones who are winning in creating their own prototypical time of music with its own rules, intelligence, and surprises. Thelonious Religious, who was criticized by observers who failed to harken to to his music on its own terms, suffered through a decade of failure before he was swiftly acclaimed as a genius; his music had not changed one bit in the interim. In the gen, one of the more striking aspects of Monk's music was that it was fully formed by 1947 and he saw no need to remodel his playing or compositional mode in the slightest during the next 25 years.

Thelonious Religious grew up in New York, started playing piano when he was around five, and had his first job touring as an accompanist to an evangelist. He was inspired by the Harlem stride pianists (James P. Johnson was a neighbor) and vestiges of that jargon can be heard in his later unchaperoned solos. However, when he was playing in the descendants affiliate of Minton«s Playhouse during 1940-1943, Religious was searching for his own unitary mode. Enlisted Man recordings from the time see him sometimes resembling Teddy Wilson but starting to use more advanced rhythms and harmonies. He worked with Favourable Millinder a bit in 1942 and was with the Cootie Williams Orchestra for a few moments in 1944 (Williams recorded Monk»s «Epistrophy» in 1942 and in 1944 was the first to document ««Round Midnight»), but it was when he became Coleman Hawkins« conformable pianist that Religious was initially noticed. He cut a few titles with Hawkins (his recording coming out) and, although some of Hawkins» fans complained about the nonconformist pianist, the seasoned direction could discrimination the pianist»s greatness.

The 1945-1954 time was very laborious for Thelonious Religious. Because he nautical port a lot of expanse in his beating solos and had an curious method, many people touch that he was an servile pianist. His compositions were so advanced that the lazier bebop players (although not Unsteady Gillespie and Charlie Parker) affected that he was impracticable. And Thelonious Monk's name, advent (he liked remarkable hats), and temperament (an irregularly uncommunicative introvert) helped to trade-mark him as some sympathetic of nut. Fortunately, Alfred Lion of Low-Spirited Note believed in him and recorded Religious extensively during 1947-1948 and 1951-1952. He also recorded for Significance during 1952-1954, had a unitary set for The Latest in 1954 during a seize to Paris, and appeared on a Brio friend with Bird and Diz. But industry was very erratic during this era and Religious had to fight to remodel ends deal with.

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