The Brothers Four album

  • 15.06.2016, 14:51,
  • Music

The Brothers Four are an American clan founded in 1957 in Seattle, Washington. Bob Flick, John Paine, Mike Kirkland, and Dick Foley met at the University of Washington, where they were members of the Phi Gamma Delta kinship in 1956 (hence the «Brothers» appellation). Their first efficient performances were the denouement of a prank played on them in 1958 by a opposition kinship, who had arranged for someone to evoke them, sham to be from Seattle's Colony Nightspot, and invite them to come down to audition for a gig. Even though they were not expected at the nightspot, they were allowed to peach a few songs anyway, and were afterward hired. Flick recalls them being paid «mostly in beer.»
They liberal for San Francisco in 1959, where they met Mort Lewis, Dave Brubeck's head. Lewis became their head and later that year secured them a understanding with Columbia Records. Their second choose, «Greenfields,» released in January 1960, hit #2 on the pop charts, and their first album, Brothers Four, released toward the end of the year, made the top 20. Other highlights of their beforehand calling included singing their fourth choose, «The Fresh Leaves of Summer,» from the John Wayne talkie The Alamo, at the 1961 Academy Awards, and having their second album, BMOC/Best Music On/Off Campus, go top 10. They also recorded the substance flap for the ABC tv series Hootenanny, «Hootenanny Saturday Continuously,» in 1963.

The British Transgression and the ascendance of edgier clan stupefy musicians such as Bob Dylan put an end to the Brothers Four's beforehand spell of big name, but they kept performing and making records, doing particularly well in Japan and on the American lodging circuit.

The co-built with Jerry Dennon a receiver position in Seaside, Oregon (KSWB) in 1968. The position was afterward sold in 1972 to a from Montana, and later to a self-proclaimed parson, and for all time merged into a larger conglomerate of receiver stations.

The attempted a comeback by recording a favourably commercial rendering of Dylan's «Mr. Tambourine Man» but were powerless to story it due to licensing issues, and The Byrds after all shawl their fulminate against by releasing their heralded rendering.

Mike Kirkland liberal the in 1969, and was replaced by Standing Pearson, another University of Washington alumnus. In 1971, Pearson liberal and was replaced by Bob Haworth, who stayed until 1989 and was replaced by a returning Pearson. Dick Foley liberal the in 1990 and was replaced by Terry Lauber. Despite all the changes and having emptied 47 years in the profession, the is still influential.

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