Chet Baker & Art Spot - The Path (1956)

  • 15.06.2016, 20:20,
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Chet Baker and Art Bespeckle — The Course [1956]

This 1989 CD cause c compiles all known sides cut during a July 26, 1956, term led by Chet Baker (trumpet) and Art Bespeckle (alto sax). Zealous-eyed enthusiasts will note that this particular fixture occurred during a strange week -- July 23 through July 31 -- of sessions held at the behest of Pacific Jazz denominate holder and term impresario Dick Bock at the Forum Theater in Los Angeles. The recordings made during this week not only present form The Course, but three other prolonged-players as well: Lets Get At Sea (The Best of Chet Baker Sings), Chet Baker and Gang, and Chet Baker Quintet at the Forum Theatre.

Similarly, these were the first sides cut by Baker since returning from his undefeated and extended head-stay in Europe. The Course compiles all 11 tracks by the sextet featuring Richie Kamuca (connotation sax), Pete Frisky (piano), Leroy Vinnegar (bass), and Stan Levey (drums) in substantiate of Baker and Bespeckle. Bock had no immediate plans to use these recordings for any one album; that is to say he incorporated the tracks throughout various compilations released on Pacific Jazz.

Three months later, however, Baker and Bespeckle did keep up with record with unreservedly different personnel for the expressed by design of issuing what would become known as Playboys and alternately Envisage of Heath. Perhaps encouraged by the modern interaction on Pepper's «Tynan Time» and «Minor Yours,» both tracks were featured at this term as well as during the Envisage of Heath collaboration.

There are a few unexpected moments of unmitigated light spread throughout, such as the Baker-penned nickname keep up with, which contains graceful and nicely contrasting solos from Kamuca and Vinnegar -- whose authoritative pendulum loosely precision swings all through this hoard. The Course is recommended for completists as well as strange consumers wishing to develop detail their conversance of the dawn and airy rhythms that evince the forbidding West Glide jazz place of the mid-'50s.


1. Tynan Period (Bespeckle) 6:18
2. The Course (Baker) 5:04
3. Sonny Boy (Brown, DeSylva, Henderson) 3:55
4. Boy Yours (Bespeckle) 7:11
5. Little Freulein (Henry, Hyde) 4:14
6. Ol' Croix (Bespeckle) 5:27
7. I Can't Present You Anything But Turtle-Dove (Fields, McHugh) 4:07
8. The Basic Lie (Calloway, Gibson) 4:16
9. Gentle Lorraine (Burwell, Parish) 3:08
10. If I Should Turtle-Dove You (Rainger, Robin) 4:18
11. Younger Than Springtime (Hammerstein, Rodgers) 4:30

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tags: Chet, Baker, Art, Spot, The, Path, 1956
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