Vitality Jazz Masters 25 - Stan Getz & Rattle-Brained Gillespie (1994) [Jazz

  • 16.06.2016, 11:03,
  • Music
Liveliness Jazz Masters 25 - Stan Getz & Scatterbrained Gillespie
Audio CD: October 4, 1994
Prototype Liberating Dated: October 4, 1994
Id: Polygram Records
Bitrate:192 kbps

One of the all-experience marked direction saxophonists, Stan Getz was known as «The Sound» because he had one of the most spectacular tones ever heard. Getz, whose dominant pioneer play was Lester Juvenile, grew to be a dominant play himself and to his belief he never stopped evolving. Getz had the occasion to stake in a multifariousness of dominant groove big bands while a juvenile due to the Sphere War II cheque. He was with Jack Teagarden (1943) when he was just 16 and this was followed by stints with Stan Kenton (1944-1945), Jimmy Dorsey (1945), and Benny Goodman (1945-1946); he soloed on a few records with BG. Getz, who had his recording initiation as a chairwoman in July 1946 with four titles, became lionized during his aeon with Woody Herman«s Second Gather Together (1947-1949), soloing (along with Zoot Sims, Herbie Steward, and Serge Chaloff) on the prototype interpretation of «Four Brothers» and having his investigate well-featured on the ballad «Early Autumn.» After leaving Herman, Getz was (with the disagree with of some tours with Jazz at the Philharmonic) a chairwoman for the overage of his way of life. During the pioneer »50s, Getz ruined away from the Lester Juvenile look to carriage his own mellifluous singularity and he was soon among the most ordinary of all jazzmen. He discovered Horace Melodious in 1950 and used him in his quartet for several months. After touring Sweden in 1951, he formed an amazing quintet that co-featured guitarist Jimmy Raney; their interplay on up-measure tunes and tonal coalesce on ballads was quite marked. Getz«s playing helped Johnny Smith have a hit in «Moonlight in Vermont,» during 1953-1954 Bob Brookmeyer made his troop a quintet and, despite some cure problems during the decade, Getz was a unwearied sample conquering hero. After spending 1958-1960 in Europe, the tenorman returned to the U.S. and recorded his particular favorite album, Indistinct, with arranger Eddie Sauter»s Orchestra. Then, in February 1962, Getz helped usher in the bossa nova era by recording Jazz Samba with Charlie Byrd; their concept of «Desafinado» was a big hit. During the next year, Getz made bossa nova-flavored albums with Gary McFarland«s big , Luiz Bonfá, and Laurindo Almeida, but it was Getz/Gilberto (a collaboration with Antonio Carlos Jobim and João Gilberto) that was his biggest seller, thanks in unfettered faction to «The Crumpet From Ipanema» (featuring the vocals of Astrud and João Gilberto). Getz could have done in the next decade sticking to bossa nova but instead he de-emphasized the music and chose to stake more challenging jazz. His dependable troop during this era was a piano-less quartet with vibraphonist Gary Burton, he recorded with Reckoning Evans (1964), played throughout the 1965 Eddie Sauter soundtrack for Mickey One, and made the album Confection Drizzle (1967) with Chick Corea. Although not all of Getz»s recordings from the 1966-1980 aeon are intrinsic, he proved that he was not shy to take chances. House with organist Eddie Louiss (1971), Captain Wonder with Chick Corea (1972), and The Peacocks with Jimmy Rowles (1975) are strong points. After utilizing pianist Joanne Brackeen in his 1977 quartet, Getz explored some aspects of fusion with his next module which featured keyboardist Andy Laverne. Getz even used an Echoplex on a two of songs but, despite some misfires, most of his dates with this module are desirable. However, purists were relieved when he signed with Concord in 1981 and started using a purely acoustic backup triumvirate on most dates. Getz«s sidemen in later years included pianists Lou Levy, Mitchell Forman, Jim McNeely, and Kenny Barron. His terminal recording, 1991»s People Experience, (despite some shortness in the tenor's gust) is a lustrous duet set with Barron. Throughout his livelihood Getz recorded as a chairwoman for Savoy, Spotlite, Esteem, Roost, Liveliness, MGM, Conqueror, Columbia, SteepleChase, Concord, Sonet, Baneful Hawk, A&M, and EmArcy among other labels (not to write about sessions with Lionel Hampton, Scatterbrained Gillespie, and Gerry Mulligan) and there are dozens of eminence records by the direction currently available on CD. ~ Scott Yanow, All Music Guide

Liveliness Jazz Masters 25 - Stan Getz & Scatterbrained Gillespie Tracks:
01 It Don’t Mean A Element (If It Ain’t Got That Groove) 6:41
02 Brunette Eyes 12:11
03 Be-Bop 12:50
04 It’s The Talk Of The Community 6:50
05 The Mooche 11:17
06 The Way You Look Tonight 13:40

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