Reckless Duty - Reckless Duty (2007-Remastered-Deluxe Issue-2CD-VB

  • 16.06.2016, 15:06,
  • Music

-=Amazon Review=-

Eliminating-lived prototype-toss supergroup Blindfold Faith«s exclusive album (1969) has grey remarkably well. Blindfold Religion fused the psychedelic blues of Eric Clapton and the deep vocals and keyboards of Steve Winwood with the polyrhythmic, Afrocentric leanings of drummer Ginger Baker. «Can»t Chance My Way Home« is undeniably one of the bohemian era's most lyrically tragic, sonically exquisite tunes. The secretly has a lot of surprises; »Presence of the Lord« is peppy and heartbroken at the same values bright and early, while the way the bass and guitar counterpart-span on the first melodic sign up to »Had to Cry Today« makes a urgently-toss cliché unsophisticated again. The 10-journal drum on »Do What You Like« is tolerably well-disposed as 10-journal drum solos go; Blindfold Religion is not a procure for the jam-shy, especially in its show, fully mode, which adds almost an hour and a half of unreleased jams and mixes. And while solidly there are levitational moments within the five 12-to — 16-journal improv sections included here, the nimiety (and be of capacious material; bear in mind that this combo unite was only together a few months) grows trying. One acclaimed rarity is the »Change of Whereabouts Jam,» excerpts from which were pressed up as a secretly mark switch-of-whereabouts notification pursuing in the day. It«s got a suave, near-modern, Graham Bond/Booker T on Quaaludes vibe, with Winwood»s keyboards rollicking nicely in a air recalling his toil on Energized Ladyland. The support of disc two is for wank aficionados and completists only. --Mike McGonigal

-=AMG Review=-

Blindfold Faith«s first and last album, more than 30 years old and counting, remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs, despite the smash-and-desire life of the combo unite itself, which certainly lasted six months. As much a mirror-up to Traffic»s self-titled second album as it is to Cream«s unchangeable , it merges the deep blues of the former with the weighty riffing and outsized tune lengths of the latter for a very compelling well-disposed peerless to this combo unite. Not all of it works â?? between the excellent energized blues of «Had to Cry Today,» the acoustic-textured «Can»t Chance My Way Core,« the soaring »Presence of the Lord« (Eric Clapton«s one contribution here as a songwriter, and the first capacious tune he ever authored) and »Sea of Joy,« the combo unite doesn»t do much with the Buddy Holly tune »Well All Right«; and Ginger Baker's »Do What You Like» was a little pusillanimous to take up 15 minutes of lay out on an LP that might have been better used for a shorter drum and more songs. Unfortunately, the bring was never that together as a combo unite and doubtlessly had just the 42 minutes of new music here agile to circuit behind.


> Blindfold Religion — Blindfold Faith

Artist...[ Blindfold Religion
Title....[ Blindfold Religion
Genre....[ Toss
Year.....[ 2007
Encoder..[ LAME3.97 (-V2 --vbr-new)
Bitrate..[ VBRkbps
Quality..[ Connection-Stereo
kHz......[ 44.1kHz
Source...[ CDDA
Date.....[ Nov — 18-2007
Type.....[ Album
Size.....[ 185,6 MB
Lable....[ Polydor
Cat.Nr...[ n/a
URL......[ n/a

Nr. ARTIST/TRACK. Values Bright And Early.

01 had to cry today 08:49
02 can't chance my way core 03:16
03 well all right 04:27
04 self-assurance of the ruler 04:51
05 sea of joy 05:22
06 do what you like 15:23
07 sleeping in the base 02:52
08 can't chance my way core (energized style) 05:43
09 acoustic jam 15:54
10 values bright and early winds 03:18
11 sleeping in the base (dim blues style) 04:45


01 jam no. 1 (very sustained & well-disposed jam) 14:03
02 jam no. 2 (dim jam #1) 15:09
03 jam no. 3 (switch of whereabouts jam) 12:09
04 jam no. 4 (dim jam #2) 16:06
COMPLETE: 132:0 min

Blindfold Religion was either one of the capacious successes of the current
«60s, a culmination of the decade»s efforts by three heroic
musicians -- or it was a d of prototype proportions,
and a escutcheon of everything that had gone infelicitous with the
proprietorship of toss at the neck of the decade. In verifiable the gen,
Blindfold Religion was probably both. By any everyday invoice, the
quartet compiled an covetable secretly. They generated some capacious
songs, two of them («Sea of Joy,» «Presence of the Lord») still
regarded as classics 30-plus years later; they sold hundreds of
thousands of concert tickets and perhaps a million more albums
at the time; and they were so effective a exact in the music
dynamism that they were indirectly chargeable for dollop
ease the amalgamation of two principal secretly companies that
evolved into Values Bright And Early Warner, before they'd released a note of
music on secretly. And they did it all in under seven months

Blindfold Faith's beginnings dated from 1968 and the breakup of
Cream. That combo unite had sold millions of records and in the end
achieved a station akin to that of the Beatles or the Rolling
Stones. Cream's internal make-up was as stressful as it was
musically persuasive, however, as a fruit of the legitimate insulting
loathe between bassist/singer Jack Bruce and drummer Ginger
Baker, which once in a while overwhelmed the attribute they had for
each other as musicians, leaving guitarist/singer Eric Clapton
to not play tricks on as peacemaker. After two years of serving as a referee,
fagged out all the while in an unremitting focus of attention, the visible
on the face of it hanging on every note he played, Clapton was only too
fortuitous to go away that job behind.

The inaugural activate for Blindfold Religion came from Clapton and Steve
Winwood, whose combo unite Movement had split up in January of 1969,
mid acrimonious disputes over songwriting and instruction.

Winwood at age 20 was some three years younger than Clapton,
and had emerged as a toss famed at 17 as a associate of the Spencer
Davis Bring, spending three years as the command canary on a
hoax of covetable R&B-based hits. His concerns were tuneful --
he wanted to toil with the best musicians, and wanted to
proof with jazz, which led him to go away the Spencer Davis
Bring and mode Movement, which proved riven by egos nearly as
zealous as the members' tuneful impulses. The January 1969
breakup would be the first of several stand-by splits in the
band's lineup.


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