Benny Goodman 24 Bit Vinyl Set

  • 16.06.2016, 16:20,
  • Music

Benny Goodman 24 Bit Vinyl Pack

Species: Jazz
Styles: Big Company, Swing
Commencement: vinyl
Codec: FLAC
Bitrate: ~ 1,500 — 2,900 kbps
Bit Profundity: 24
Sampling Merit: 96 KHz

1952 Quiet Does It! — Capitol H — 295 (1st US Mono)
1954 B.G. In Hi-Fi (Neck Of The Woods 1) — Capitol H1-565 (1st US Mono)
1963 Carnegie Vestibule Jazz Concert 1938 - Columbia OSL — 160 (Mono)
1986 How Recondite Is the The Recondite — Harmony — C60 24691

Benny Goodman was the first renowned bandleader of the Fluctuation Era, dubbed «The Monarch of Fluctuation,» his popularized surfacing marking the opening of the era. He was an adept clarinetist whose individual playing gave an agreement both to his big company and to the smaller units he led simultaneously. The most popularized participate of the first few years of the Fluctuation Era, he continued to bring off until his end 50 years later.

Goodman was the son of Russian immigrants David Goodman, a convert, and Dora Rezinsky Goodman. He first began fascinating clarinet lessons at ten at a synagogue, after which he joined the company at Skin Diet, a establishment deeply. He made his maven initiation at 12 and dropped out of enormous institute at 14 to become a musician. At 16, in August 1925, he joined the Ben Pollack company, with which he made his first released company recordings in December 1926. His first recordings under his own name were made in January 1928. At 20, in September 1929, he nautical port Pollack to appoint in New York and exertion as a freelance musician, working at recording sessions, trannie dates, and in the pit bands of Broadway musicals. He also made recordings under his own name with pickup bands, first reaching the charts with «He«s Not Significance Your Tears» (vocal by Scrappy Lambert) on Melotone Records in January 1931. He signed to Columbia Records in the dropping of 1934 and reached the Top Ten in inopportune 1934 with «Ain»t Cha Glad?» (vocal by Jack Teagarden), «Riffin« the Scotch» (vocal by Billie Fete), and «Ol» Pappy» (vocal by Mildred Bailey), and in the leap with «I Ain«t Inactive, I»m Just Dreamin'» (vocal by Jack Teagarden).

These accomplishment successes and an proposition to bring off at Billy Rose«s Music Vestibule inspired Goodman to pigeon-hole a unchangeable performing orchestra, which gave its first carrying-on on June 1, 1934. His supporting recording of «Moon Glow» hit billion one in July, and he scored two more Top Ten hits in the dropping with the instrumentals «Take My Word» and «Bugle On Duty Rag.» After a four-and-a-half-month halt at the Music Vestibule, he was signed for the Saturday dusk Let»s Cut A Rug program on NBC trannie, playing the last hour of the three-hour instruct. During the six months he burnt- on the instruct, he scored another six Top Ten hits on Columbia, then switched to RCA Champion, for which he recorded five more Top Ten hits by the end of the year.

After leaving Let«s Cut A Rug, Goodman undertook a jingoistic expedition in the summer of 1935. It was not particularly flourishing until he reached the West Coastline, where his fraction of Let»s Cut A Rug had been heard three hours earlier than on the East Coastline. His carrying-on at the Palomar Ballroom near Los Angeles on August 21, 1935, was a spectacular prosperity, remembered as the era on which the Fluctuation Era began. He moved on to a six-month residency at the Congress Tourist House in Chicago, opening in November. He scored 15 Top Ten hits in 1936, including the plan-toppers «It«s Been So Eat One»s Heart Out,» «Goody-Goody,» «The Delight of Passion,» «These Goofy Things Prompt Me of You,» and «You Turned the Tables on Me» (all vocals by Helen Forestall). He became the tummler of the trannie series The Camel Caravan, which ran until the end of 1939, and in October 1936, the orchestra made its coating initiation in The Big Proclaim of 1937. The same month, Goodman began a residency at the Pennsylvania Tourist House in New York.

Goodman«s next billion one hit, in February 1937, featured Ella Fitzgerald on vocals and was the band»s first hit with new trumpeter Harry James. It was also the first of six Top Ten hits during the year, including the plan-topping «This Year's Kisses» (vocal by Margaret McCrae). In December, the company appeared in another coating, Hollywood Tourist House. The perfection of Goodman«s glory in the 1930s came on January 16, 1938, when he performed a concert at Carnegie Vestibule, but he went on to grade 14 Top Ten hits during the year, among them the billion ones «Don»t Be That Way« (an supporting) and »I Let a To-Do Go out of My Heart« (vocal by Martha Tilton), as well as the galvanizing supporting »Sing, Squeal, Squeal (With a Fluctuation),» which later was inducted into the Grammy Vestibule of Acclaim.

By 1939, Goodman had late such principal instrumentalists as Gene Krupa and Harry James, who nautical port to organize their own bands, and he faced meaningful meet from newly emerged bandleaders such as Artie Shaw and Glenn Miller. But he still managed to grade eight Top Ten hits during the year, including the plan-topper «And the Angels Sing» (vocal by Martha Tilton), another inductee to the Grammy Vestibule of Acclaim. He returned to Columbia Records in the dropping. In November, he appeared in the Broadway melodious Swingin« the Day-Dream, influential a sextet. The instruct was hot pants-lived, but it provided him with the to-do «Darn That Dream» (vocal by Mildred Bailey), which hit billion one for him in Cortege 1940. It was the first of only three Top Ten hits he scored in 1940, his extension slowed by illness; in July he disbanded briefly and underwent surgery for a slipped disk, not reorganizing until October. He scored two Top Ten hits in 1941, one of which was the plan-topper «There»ll Be Some Changes Made« (vocal by Louise Tobin), and he returned to trannie with his own instruct. Among his three Top Ten hits in 1942 were the billion ones »Somebody Else Is Fascinating My Place« (vocal by Peggy Lee) and the supporting »Jersey Bounce.» He also appeared in the coating Syncopation, released in May.

American entr into Universe War II and the sally of the recording ban called by the American Bund of Musicians in August 1942 made things stubborn for all performers. Goodman managed to grade a of Top Ten hits, including the billion one «Taking a Betide on Love» (vocal by Helen Forrest), in 1943, tired from temporal recorded before the start of the ban. And he used his unfettered opportunity to exertion in films, appearing in three during the year: The Powers Sheila (January), Trump Up Door Canteen (July), and The Gang's All Here (December).

Goodman disbanded in Cortege 1944. He appeared in the coating Bell-Like and Low-Down in September and played with a quintet in the Broadway revue Seven Agile Arts, which opened December 7 and ran 182 performances. Meanwhile, the musicians bund upon was settled, freeing him to go subsidize into the recording studio. In April 1945, his compilation album Hot Jazz reached the Top Ten on the newly instituted album charts. He reorganized his big company and scored three Top Ten hits during the year, among them «Gotta Be This or That» (vocal by Benny Goodman), which just missed hitting billion one. «Symphony» (vocal by Liza Morrow) also came put up the shutters seal to hitting billion one in inopportune 1946, and Benny Goodman Sextet Assembly did hit billion one on the album charts in May 1946. Goodman hosted a trannie series with Champion Borge in 1946-1947, and he continued to accomplishment, switching to Capitol Records. He appeared in the coating A To-Do Is Born in October 1948 and meanwhile experimented with bebop in his big company. But in December 1949, he disbanded, though he continued to pigeon-hole groups on a impermanent base for tours and recording sessions.

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