Suzanne Vega - Discography (1985-2014) [FLAC]

  • 17.06.2016, 05:33,
  • Music

Suzanne Vega — Discography (1985-2014) [FLAC]

Comfort: Folk
Comfort: Singer/Songwriter
Creator: CD, WEB
Codec: FLAC
Bitrate: ~ 900 kbps
Bit Nethermost Reaches: 16
Sampling Reckon: 44,100 Hz

1985 Suzanne Vega
1987 Aloneness Vertical
1987 Cracking (Breathing in San-Francisco)
1988 Luka
1990 Days of Into Operation Index
1992 99.9F
1996 Nine Objects of Requisition
1996 Headshots
1998 Tried and True
2001 Songs in Red and Gray
2003 Retrospective (2CD)
2007 Pulchritude & Crime
2014 Tales from the Jurisdiction of the Movie Queen of Pentacles

Suzanne Vega was the first greater body in the bumper crop of female singer/songwriters who rose to prestige during the new «80s and »90s. Her hushed, restrained citizenry-pop and very literate lyrics (inspired chiefly by Leonard Cohen, as well as Lou Reed and Bob Dylan) laid the lilting foundation for what later became the trademark question of Lilith Peaches (a expedition on which she was a habitual). Moreover, her left-hand-american football gridiron hit cull «Luka» helped bring around unofficially companies that citizenry-styled singer/songwriters were not a fad of the years after all, paving the way for breakthroughs by Tracy Chapman, Michelle Shocked, Shawn Colvin, Edie Brickell, the Indigo Girls, Sinéad O«Connor, and a publican of others on through the »90s. Vega«s cock»s-crow commercial outcome helped into operation doors for a bounty of proclivity, and even if she couldn«t keep alive the informed about of acceptance she reached in 1987 with «Luka» and the platinum Aloneness Vertical, she maintained a stringent and dedicated cult following. Her affiliation with -- and association to -- conjectural processor Mitchell Froom during the »90s resulted in two intriguing but uneven albums; however, following their tender split, Vega returned in 2001 with her first album in five years, Songs in Red and Gray, which was greeted with her strongest reviews in a decade.

Suzanne Vega was born July 11, 1959, in Santa Monica, California; her parents divorced in a little while thereafter, and after her (a jazz guitarist) remarried to Puerto Rican novelist Ed Vega, the one«s nearest moved to Manhattan. A shy and peace of mind little one, Suzanne nonetheless experienced to take caution of herself growing up in the demanding neighborhoods of Spanish Harlem. Her parents often sang citizenry songs around the ill fame, and when she began playing the guitar at age 11, she originate herself attracted to the rhyme of singer/songwriter music (Dylan, Cohen), and originate a pretext from New York»s pandemonium in household citizenry (Woody Guthrie, Pete Seeger, Judy Collins, Joan Baez). At age 14, she made her first attempts at calligraphy songs; however, when she attended the Luxurious Inculcate for the Performing Arts as a youth, it was to review sashay, not music. She afterwards enrolled at Barnard College as a writings greater, and during this period, she began playing at coffeehouses and citizenry festivals on the West Side and near Columbia University; she soon moved up to the Let East Side/Greenwich Village citizenry clubs, including the famed Citizenry Borough combine where Bob Dylan started out. In 1979, Vega attended a Lou Reed concert, and the carry out was a communiqu: here was an artist chronicling the grating urban era Vega knew, with the inside out and literacy of a citizenry artist. Vega discovered a new forum and quick-wittedness of likelihood for her firsthand substantial, and her calligraphy grew rapidly.

Vega graduated from college in 1982 and held down several low-informed about day jobs while pronto becoming the Greenwich Village citizenry scene's brightest ambition. Unofficially companies were upon to take a happen on a singer/songwriter steeped in citizenry music, however, since they saw little happen of any commercial returns. After three years of rejections, Vega and her managers Ron Fierstein and Steve Addabbo at hanker last convinced A&M (which had turned her down twice) to give ground her a markswoman, and she signed a diminish in 1983. Former Patti Smith Corps guitarist Lenny Kaye was brought in to co-exhibit the premiere with Addabbo and furnish it a smoother, more modern flavor.

Titled solely Suzanne Vega, it was released in 1985 to much disparaging clapping. Thanks in join in to the cull «Marlene on the Divider,» the album was a veritable hit in Britain, where it at last went platinum; while it didn«t double that outcome in America, the album»s sales of 200,000 stringent still came as a dumfound to A&M (and Vega). For the 1987 make inquiries-up, Vega overcame writer«s piece to guile an eclectic quantity of new substantial, as well as design upon a backlog of songs that hadn»t fit the premiere. Again produced by Kaye and Addabbo, Aloneness Vertical was Vega«s finest achievement; the richness and brand of its compositions were complemented by the lusher -federate arrangements and more available (albeit less folky) motion. The album»s premier danseur cull, «Luka,» was a haunting first-bodily account of little one vituperation, whose blunt (and imaginary) lyrics struck a chord with American transistor listeners. As a follow-up, the album was an flash hit on both sides of the Atlantic; it debuted at compute two in the U.K. and went gold within three months in the U.S., peaking at compute 11 and at last going platinum. «Luka» hit compute three on the American pop charts -- unheard of for a singer/songwriter in the «80s previous to to Vega -- and was nominated for three Grammys. As unofficially companies rushed to top up a store position they hadn»t known existed (and uncovering some greater talents in the manage), Vega fini almost a year on the passage touring in advocate of the record; weary, she returned to New York to take some period off, and also tracked down her biological paterfamilias for the first period.

When the period came to unofficially her third album in 1989, Vega marked to co-exhibit it herself with her keyboardist/boyfriend Anton Sanko (longtime bassist Michael Visceglia also had input). Vega began to test with her lyrics, pushing beyond the anecdotal statement-songs that dominated her first two records, and had minimalist composer Philip Lens bestow a be in the driver«s seat alignment. The follow-up, Days of Into Operation Index, was released in 1990, yet didn»t exhibit another hit cull and was somewhat demolished in the evasion of new female singer/songwriters; though it did inform against respectably, reviews were somewhat diverse. Even though the album didn«t recapture Vega»s 1987 acceptance, she was still -- indirectly -- intricate in one of 1990«s most nonconforming hit singles. Two British sashay producers working under the alias DNA took the a cappella Aloneness Vertical trace «Tom»s Diner« and set it to an electronic sashay belabour, releasing the follow-up as a bootleg cull called »Oh Suzanne.» When A&M discovered the piracy, Vega marked to allow the single«s lawful put out under its firsthand documentation of ownership, and it became a numberless hit in the U.S., U.K., and elsewhere. The following year, Vega gathered a compute of other unasked for versions of the performance and compiled them as Tom»s Album.

Intrigued by the outcome of «Tom«s Diner,» Vega began looking for ways to into operation up her lilting modus operandi. She hooked up with processor Mitchell Froom, best known for his occupation on latter-day albums by Elvis Costello, Richard Thompson, and Crowded Ill Fame. Froom applied his trademark modus operandi -- dissonant arrangements, clanging percussion -- to Vega«s new 1992 album, and while 99.9 F° didn»t reinvent her as a sashay artist (as some expected), the synth-centered question of the unofficially was incompatible with any of her previous to occupation. Froom and Vega began dating several months after the record«s close, and they traumatism up marrying; their daughter, Ruby, was born in 1994, and Vega congenitally took some period off from music. She returned in 1996 with Nine Objects of Requisition, again with Froom in the producer»s leader, though his modus operandi was somewhat less cardinal this period out; in terms of Vega»s topic importance, there was a newfound substantial sensuality borne of her association and childbirth experiences.

All was not well for hanker, however; Froom began seeing Accessory McBeal chorus-member Vonda Shepard, and he and Vega split up in August 1998. In 1999, Vega released the best-of retrospective Tried and Genuine, compelling review of her years employment (she had also split with longtime executive Ron Fierstein); she also published her first rules, The Intense Eye, a amassment of poems, lyrics, essays, journalistic pieces, and the like. Vega began playing shows with bassist Michael Visceglia again, and worked on substantial addressing the breakup of her association. Songs in Red and Gray was released in the get cracking of 2001 and prominent a earnings to the more frank question of Suzanne Vega and Aloneness Standing; it also garnered her best reviews since those records. Retrospective: The Best of Suzanne Vega arrived in 2003, followed by the Breathing at Montreux 2004 DVD/CD in 2006 and the all-new Pulchritude & Lawlessness in 2007. In 2010, Vega released Join Up, Vol. 1 and Join Up, Vol. 2 -- the first half of a proposed four-size amassment of re-recorded versions of songs from her catalog, all featuring stripped-down, plain arrangements that highlight the lyrics and melodies -- and followed the first two installments of the series with Join Up, Vol. 3 in 2011. The irrevocable put out in the concatenation, Join-Up, Vol. 4: Songs of One's Nearest, appeared a year later in 2012.

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