Bud Powell - The Wonderful Bud Powell Vol 2 [24 bit FLAC] vinyl

  • 17.06.2016, 05:40,
  • Music

Bud Powell — The Astounding Bud Powell Vol 2 [24 bit FLAC] vinyl

Character: Jazz
Styles: Bop, Jazz Mechanism, Piano Jazz
Outset: Dispirited Note / Authorization BLP 1504 (Mono Keep Under Control 1966)
Codec: FLAC
Bitrate: ~ 1,500 kbps
Bit Brightness: 24
Sampling Gait: 96 KHz

A1 Reets and I
A2 Autumn in New York
A3 I Want to Be Blithesome
A4 It Could Upon to You
A5 Sure Article
A6 Polka Dots and Moonbeams

B1 Opera-Glasses Railing
B2 Collard Greens and Villainous-Eye Peas
B3 Over the Rainbow
B4 Audrey
B5 You Go to My Belfry
B6 Ornithology (Alternate Governor)

Rip Info (not my rip)

Dispirited Note/Liberty U.S. Mono 1966 Repress

Deadwax info:
BN-LP — 1504-A RVG 9M
BNLP — 1504 B — 1 VAN GELDER

Rega RP3 turntable with RB303 arm
Audio Technica AT33PTG/II dual operating twist cartridge
Graham Slee Gram Amp 3 Commotion MC phono stage
Focusrite Scarlett 2i2 USB interface
Neutrik interconnects

Carefully declicked in iZotope RX 3
Normalized to -.3
FLAC files made with XLD

One of the giants of the jazz piano, Bud Powell changed the way that to all intents all work-wave pianists accentuate their instruments. He did away with the -jointly striding that had been considered imperative earlier and used his jointly to structure chords on an offbeat foundation. His right often played expeditious one-note lines, essentially transforming Charlie Parker's vocabulary to the piano (although he developed even off to «Bird»).

Tragically, Bud Powell was a seriously ill brilliance. After being encouraged and tutored to an scale by his chum Thelonious Religious at jam sessions in the antiquated «40s, Powell was with Cootie Williams» orchestra during 1943-1945. In a tribal disturbance, he was beaten on the belfry by police; Powell never fully recovered and would suffer from bad headaches and off one«s rocker breakdowns throughout the residuum of his entity. Despite this, he recorded some steady gems during 1947-1951 for Roost, Dispirited Note, and Exuberance, composing such main works as «Dance of the Infidels,» «Hallucinations» (also known as «Budo»), «Un Poco Loco,» «Bouncing with Bud,» and «Tempus Fugit.» Even antiquated on, his discursive behavior resulted in wasted opportunities (Charlie Parker presumably told Miles Davis that he would not sign on Powell because «he»s even crazier than me!»), but Powell's playing during this stretch was often miraculous.

A nervous breakdown in 1951 and hospitalization that resulted in electroshock treatments weakened him, but Powell was still clever of playing at his best now and then, most noticeably at the 1953 Massey Passage Concert. Non-Specifically in the 1950s his Dispirited Notes set aside him in the best built, while he is much more discursive on his Exuberance recordings. His not uncomfortable welcome and garrulous remain in Paris (1959-1964) extended his entity a bit, but even here Powell done up share of 1962-1963 in the polyclinic. He returned to New York in 1964, disappeared after a few concerts, and did not breathe through 1966.

In later years, Bud Powell's recordings and performances could be so earnest as to be blood-curdling, but other times he sounded quite sad. However, his persuade on jazz (particularly up until the make the grade of McCoy Tyner and Jaws Evans in the 1960s) was very strongly-worded and he remains one of the greatest jazz pianists of all convenience life.

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