Dimness - 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]

  • 17.06.2016, 13:47,
  • Music
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Blur — 1997 - Blur

(2014 HDtracks) [FLAC@96khz24bit]

Dimness — 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]


Dimness — 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]

Utter are an English stagger body, formed in London in 1988. The collect consists of singer/keyboardist/guitarist Damon Albarn, guitarist/singer Graham Coxon, bassist Alex James and drummer Dave Rowntree. Their album Rest (1991) incorporated the sounds of Madchester and shoegazing. Following a stylistic swap influenced by English guitar pop groups such as the Kinks, the Beatles and XTC, Utter released Latest Moving Spirit Is Fragments (1993), Parklife (1994) and The Excellent Flight (1995). In the make, the body helped locate the Britpop class and achieved throng renown in the UK, aided by a engagement with rivals Fertile Patch in 1995 dubbed the «Battle of Britpop».

In recording their result from-up, Utter (1997), the body underwent another reinvention, showing pull from the lo-fi mode of American indie stagger groups. The album, including the «Song 2» distinct, brought Utter mainstream triumph in the Agreed States. Their next album, 13 (1999) saw the body members experimenting with electronic and certainty music, and featured more offensive lyrics from Albarn. In May 2002, Coxon liberal Utter during the recording of their seventh album Think Tank (2003). Containing electronic sounds and more nominal guitar line, the album was conspicuous by Albarn's growing enrol in hip hop and African music. After a 2003 globe-trot without Coxon, Utter did no studio line or touring as a body, as members pledged in other projects.

Utter reunited, with Coxon upon someone in the clip, for a series of concerts in 2009. In the following years they released several singles and retrospective compilations, and toured internationally. In 2012, the collect received a Brit Endowment for Special Contribution to Music. Their first chief deliver in twelve years, The Hypnotic Dash (2015), became the sixth consecutive Utter studio album to top the British charts.

Blur (2014 HDtracks)

Dimness — 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]

Artist: Blur
Name: Blur
Size: 14 × Line, FLAC, Album, Reissue, Remastered, 24bit 96kHz (HDtracks)
In Britain Director: Stephen Row, Blur
Deliver Tryst: February 10, 1997 (2014)
Recorded: June–November 1996 at Stúdíó Grettisgat, Reykjavik, Iceland; Maison Rouge Studio, Mayfair Studios and Studio 13 in London, England.

Brand: Parlophone Records UK
Class: Stagger, Indie Stagger, Possibility Stagger, British Stagger, Britpop
Duration: 56:59
Website: http://www.hdtracks.com/blur — 259081

Utter is the eponymous fifth studio album by the English stagger body Utter, released on 10 February 1997 by Scoff Records. Utter had a while ago been broadly serious of American in savoir vivre and their above-named albums had become associated with the Britpop activity, particularly Parklife (1994), which had helped them become one of Britain«s unsurpassed pop acts. After their above-named album, The Excellent Flight, the body faced media recoil and relationships between the members became tense. Under the implication of the band»s guitarist, Graham Coxon, the body underwent a stylistic swap, becoming influenced by American indie stagger bands such as Pavement and Sonic Mademoiselle. Recording took diggings in London as well as in Reykjavík, Iceland. Drummer Dave Rowntree described the music on the album as being more hostile and tender than their above-named line. In Britain Director Stephen Row claimed that primacy balladeer-songwriter Damon Albarn had started article about more offensive experiences while Coxon revealed that listening to his lyrics it was eliminate to him that «he«d obviously gone off his guv»nor a bit more».

Despite worries from Blur«s brand, EMI, and the music mob that the swap in mode would alienate the band»s predominantly teenage fanbase and that the album would as a effect, Utter, as well as primacy distinct, «Beetlebum», reached the top of the UK charts and the album was certified platinum. The album also reached the top 20 in six other countries. The triumph of «Song 2» led to Utter becoming the band«s most pre-eminent album in the US where the Britpop upset had been by vain. The album received doctrinaire and interbred reviews from most music critics, many praising the stylistic swap as well as Albarn»s improved songwriting.

AllMusic Parade by Stephen Thomas Erlewine:
The Excellent Flight, for all of its many virtues, painted Utter into a corner and there was only one way out -- to turn over the Britpop that they had instigated by bringing the queer strands that always floated through their music to the skin. Utter may superficially appear to be a opening from usage, but it is a proper spread, highlighting the band«s vibrant eclecticism and substance of songcraft. Certainly, they are trying for new sonic land, bringing in shards of bloodless outcry, gurgling electronics, raw guitars, and druggy psychedelia, but these are just extensions of a while ago esoteric elements of Blur»s music. What makes it peculiar is how racking the body tries to reinvent itself within its own framework, and the equal of which it succeeds. «Beetlebum» runs through the Bloodless Album in the time of five minutes; «M.O.R.» reinterprets Berlin-era Bowie; «You're So Excellent,» despite the corny name, is affecting lo-fi from Graham Coxon; «Country Sad Ballad Man» is bizarrely affecting, strangled lo-fi psychedelia; «Death of a Party» is an affecting resignation; «On Your Own» is an tremendous slice of singalong pop spiked with winding, liquid guitar and synth eruptions; while «Look Private America» cleverly subverts the usual Utter bother, do with strings. And «Essex Dogs» is a six-blink wodge of bountiful verse and rattling guitar outcry. Utter might be self-consciously eclectic, but Utter are at their best when they are trying to charged up to their own pretensions, because of Damon Albarn«s peculiar substance of songcraft and the band»s dexterity for do arrangements that lend substance out the songs to their fullest. There might be iniquitous overtones to the data, but the body sounds undeniably joyous, not only in making outcry but wreaking spoliation with the expectations of its audience and critics.

Dimness — 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]

01 - Beetlebum — 5:05
02 - Bother 2 — 2:01
03 - Boondocks Sad Ballad Man — 4:50
04 - M.O.R. — 3:27
05 - On Your Own — 4:26
06 - Exposition From Retro — 3:37
07 - You're So Excellent — 3:35
08 - End Of A Dinner Party — 4:33
09 - Chinese Bombs — 1:24
10 - I'm Just A Gunfighter For Your Pleasure — 4:11
11 - Look Private America — 3:50
12 - Surprising Talk From Another Brilliant — 4:02
13 - Movin' On — 3:44
14 - Essex Dogs (Includes «Interlude») — 8:10


Damon Albarn – vocals, piano, keyboards, Hammond vehicle, acoustic guitar
Graham Coxon – exciting and acoustic guitars, vocals on «You're So Great», theremin
Alex James – bass guitar
Dave Rowntree – drums, percussion

Dimness — 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]

Dimness — 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]

Dimness — 1997 - Dimness (2014 HDtracks) [FLAC@96khz24bit]


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