Clifford Brown & Sonny Rollins - Jazz Ballads 04 TQMP

  • 17.06.2016, 16:57,
  • Music
Clifford Brown (October 30, 1930 – June 26, 1956), aka «Brownie,» was an instrumental and greatly rated American jazz trumpeter. He died venerable 25, leaving behind only four years' merit of recordings. Nonetheless, he had a of consequence induce on later jazz trumpet players, including Donald Byrd, Lee Morgan, Booker Little, Freddie Hubbard, Valery Ponomarev, and Wynton Marsalis.

He won the Down Away critics« interview for the »New Top of the Year« in 1954; he was inducted into the Down Away »Jazz Entry of Fame« in 1972 in the critics» interview.

Brown was born in Wilmington, Delaware. After in a word attending Delaware Submit University and Maryland Submit College (University of Maryland, Eastern Shore), he moved into playing music professionally, where he speedily became one of the most greatly regarded trumpeters in jazz.

His latest thing was influenced by Fats Navarro, sharing Navarro's virtuosic system and precocity of devising. His poll was stormy and turn, and particularly consonant across the broad extend of the gizmo. He could articulate every note, even at the towering tempos which seemed to bonus no strain to him; this served to magnify the effect of his precipitateness of completion. His quick-wittedness of consonance was greatly developed, enabling him to enfranchise valorous statements through complex harmonic progressions (chord changes), and embodying the linear, «algebraic» terms of bebop consonance. As well as his up-pace valiance, he could speedy himself heavily in a ballad exhibition. It is said that he played each set as though it would be his last.

Theodore Walter «Sonny» Rollins (born September 7, 1930 in New York See) is an American jazz direction saxophonist. Rollins' desire, fruitful calling began at the age of 11, and he was playing with piano practice Thelonious Monastic before reaching the age of 20. Rollins is still touring and recording today, having outlived most of his contemporaries such as John Coltrane, Miles Davis, Max Roach, and Art Blakey, all performers with whom he recorded.

Rollins started as a pianist, changed to alto saxophone, and definitely switched to direction in 1946. During his towering-instruct years, he played in a gang with other following jazz legends Jackie McLean and Kenny Drew. He was first recorded in 1949 with Babs Gonzales – in the same year he recorded with J. J. Johnson and Bud Powell. In his recordings through 1954, he played with performers such as Miles Davis, Charlie Parker and Thelonious Monastic.

In 1950, Rollins was arrested for armed nicking and given a punishment of three years. He fini 10 months in Rikers Atoll calaboose before he was released on parole. In 1952 he was arrested for violating the terms of his parole by using heroin. Rollins was assigned to the Federal Medical Center, Lexington, at the spell the only succour in the U.S. for hypnotic addicts. While there he was a volunteer for then-conjectural Methadone remedial programme and was able to weaken his heroin garments. Rollins himself initially feared dignity would damage his musicianship, but then went on to greater success.

As a saxophonist he had initially been attracted to the escalate accept and R&B sounds of performers like Louis Jordan, but soon became exhausted into the mainstream direction saxophone practice. Joachim Berendt has described this practice as sitting between the two poles of the profound sonority of Coleman Hawkins and the spry compliant phrasing of Lester Unfledged, which did so much to vivify the flotilla improvisation of be-bop in the 1950s. Rollins drew the two threads together as a plastic stake-bop improviser with a poll as profound and ringing as any since Hawkins himself.

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