Lynyrd Skynyrd Noticeable Leh-Nerd_Skin-Nerd(finished)(mp3@320)[roge

  • 23.06.2016, 01:47,
  • Music
Saving Appointment: August 13, 1973
Classify: Sounds of the South/MCA Records
Recorded At Studio One, Doraville, Georgia
Make-Up: Mp3@320

The Allman Brothers came first, but Lynyrd Skynyrd epitomized Southern destroyed. The Allmans were exceptionally top-flight musicians, as much bluesmen as rockers. Skynyrd was nothing but rockers, and they were Southern rockers to the bone. This didn«t just mean that they were rednecks, but that they brought it all together -- the blues, outback, garage destroyed, Southern versification -- in a way that sounded more like the South than even the Allmans. And a broad distribute of that derives from their strenuous, terrorize vehemence, which was nowhere more marked than on their inauguration album, Obvious Leh-Nerd Graze-Nerd. Produced by Al Kooper, there are few records that question this raw and uncompromising, especially records by inauguration bands. Then again, few bands question this cocksure and fully formed with their first itemize. Perhaps the itemize is stronger because it»s only eight songs, so there isn«t a wasted second, but that doesn»t deduction the transparent soundness of each kerfuffle b evasion. Consider the birth juxtaposition of the rollicking «I Ain«t the One» with the heartbreaking «Tuesday»s Gone.» Two songs couldn«t be more opposed, yet Skynyrd sounds equally convincing on both. If that»s all the itemize did, it would still be warmly regarded, but it wouldn«t have been persuasive. The aptitude of Skynyrd is that they un-self-consciously blended album-oriented strenuous destroyed, blues, outback, and garage destroyed, turning it all into a idiosyncratic question that sounds well-known but thoroughly corresponding exactly. On top of that, there»s the quite mortal medium of Ronnie Van Zant, a songwriter who isn«t nervous to be nakedly simpering, whirl tales of the South, or to writhe manly conventions with humor. And, lest we overlook, while he does this, the orchestra rocks like a motherf*cker. It»s the delivery of a dedicated orchestra that birthed an unbroken brand with this album.

Follow List
1. I Ain't The One
2. Tuesday's Gone
3. Gimme Three Steps
4. Basic Man
5. Things Goin' On
6. Mississippi Kid
7. Canker Whiskey
8. Freebird

Ronnie Van Zant — be vocals, lyrics
Gary Rossington — be guitar on «Tuesday«s Gone», «Gimme Three Steps», «Things Goin» On», «Poison Whiskey», «Simple Man», pulse guitar on the others, guitar on «Free Bird»
Allen Collins — be guitar on «I Ain't The One» & «Free Bird», pulse guitar on the others
Ed Majesty — be guitar on «Mississippi Kid», bass on all tracks except «Mississippi Kid» and «Tuesday's Gone»
Billy Powell ΓΓé¼ΓÇ£ keyboards
Bob Burns — drums except on «Tuesday's Gone»
Leon Wilkeson — bass guitar
Additional musicians:
Al Kooper (Roosevelt Gook) — bass, Mellotron & underwrite-up orderliness on «Tuesday's Gone», mandolin & bass drum on «Mississippi Kid», medium on «Simple Man», «Poison Whiskey» & «Free Bird», Mellotron on «Free Bird»
Robert Nix — drums on «Tuesday's Gone»
Bobbye Lecture-Room — percussion on «Gimme Three Steps» & «Things Goin' On»
Steve Katz — harmonica on «Mississippi Kid»

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