Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]

  • 30.06.2016, 01:44,
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Gram Parsons – 1973 - GP

(2012 MFSL SACD) [mp3@320]

Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]

Gram Parsons

Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]
Gram Parsons in 1972

Ingram Cecil Connor III (November 5, 1946 – September 19, 1973), known professionally as Gram Parsons, was an American chorus-boy, songwriter, guitarist, and pianist. Parsons is best known for his employment within the boonies music genre; he also popularized what he called «Cosmic American Music», a compound of boonies, accent and blues, essence, tribe, and swing. Besides recording as a artist, he played with the Intercontinental Submarine Party, The Byrds, and The Flying Burrito Brothers. His relatively excluding trade is described by AllMusic as «enormously influential» for boonies and swing, «blending the two genres to the call that they became indistinguishable from each other.»
Parsons was born in Winter Haven, Florida, and developed an involved in boonies music while attending Harvard University. He founded the Intercontinental Submarine Party in 1966 and, after several months of waiting, their launching Conservative at Core was released in 1968 (by which but the set apart had disbanded). Parsons joined The Byrds in antediluvian 1968, and played a vital r in the making of the imaginative Girlfriend of the Rodeo album. After leaving the set apart in last 1968, Parsons and boy Byrd Chris Hillman formed The Flying Burrito Brothers in 1969, releasing their launching, The Gilded Residence of Sin, the same year. The album was well received but failed commercially; after a dirty irritated-boonies round, they hastily recorded Burrito Deluxe. Parsons was fired from the party before its disseminate in antediluvian 1970. He soon signed with A&M Records, but after several unproductive sessions he canceled his intended launching in antediluvian 1971. Parsons moved to France, where he lived for a excluding days at Villa Nellcôte with his fellow Keith Richards of The Rolling Stones. Returning to America, Parsons befriended Emmylou Harris through his fellow and former bandmate Chris Hillman. She assisted him on vocals for his first sub rosa, GP, released in 1973. Although it received fervent reviews, the disseminate failed to plot. His next album (Heinous Angel) met with a compare favourably with social, and peaked at integer 195 on Billboard. Several years of alcoholism and opiate reviling dangerously deteriorated his trim, and he died in 1973 at the age of 26.

Since his expiration, Parsons has been recognized as an hellishly significant artist, credited with plateful to establish both boonies swing and alt-boonies. He never agreed with the phrase «country rock», as he felt his employment should not be categorized into a segregate sort because it was rather a unrivalled fuse of many genres and styles of music with his own bosom twang.

His posthumous honors involve the Americana Music Conjunction «President«s Award» for 2003, and a ranking at No. 87 on Rolling Stone»s listing of the «100 Greatest Artists of All But.»


Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]

Artist: Gram Parsons
Head: GP
Plan: SACD, Compound, Stereo, Album, Small Issue, Numbered, Gatefold Sleeve
SACD Mastering: Shawn R. Britton at Nimble Fidelity Resonate Lab, Sebastopol, CA.

Canada Entrepreneur: Gram Parsons, Ric Grech
Disseminate Stage: January 1973, (MFSL May 22, 2012)
Recorded: September–October, 1972, Wally Heider Studio 4, Hollywood, California
Hallmark: Nimble Fidelity Resonate Lab
Catalog: UDSACD 2058
Barcode: 8 21797 20586 3
ASIN: B008645YP8
Sort: Swing, Boonies Swing, Boonies, Tribe Swing, World
Duration: 38:56

GP is American chorus-boy-songwriter Gram Parsons« launching album. It was from the word go released in a gatefold sleeve in 1973. GP received perilous acclaim upon disseminate, but failed to reach the Billboard charts. In the archetype Rolling Stone critique, which severally covered both GP and its trail-up, Heinous Angel, the reviewer praises Gram»s vocals and confinement paraphrasing Gram's lyrics, «boy, but he sure can sing».

AllMusic Critique by Identify Deming:
Given Gram Parsons« costume of winsome knob of the bands he played with (and his disinclination towards staying with them for very hanker), it was inescapable that he would at last light out on his own, and his first album, 1973»s G.P., is probably the best realized mercy of phrase of his lyrical win-up. Working with a fissure party of L.A. and Nashville«s finest (including James Burton on guitar, Ronnie Tutt on drums, Byron Berline on fiddle, and Glen D. Hardin on piano), he drew from them a resonate that merged light-hearted self-reliance with hellishly felt Southern essence, and he in mercy pulled off some of his most vague and finely elaborate vocal performances; «She» and «A Prevarication for You,» in particular, are bossy examples of passion judgement assess with understatement. Parsons also discovered that rare artist with whom he can be said to have genuinely collaborated (rather than played beside), Emmylou Harris; Gram and Harris» bespatter-on harmonies and exchanged verses on «We«ll Clean out the Ashes in the Morning» and «That»s All It Took» are achingly magnificent and instantly established her as one boonies music«s most excellent vocalists. On G.P., Parsons» fervent perception encompassed assiduous-boonies weepers, preoccupied ballads, uptempo tunes, and even horn-driven accent and blues. He managed to win them all employment, both as personal tunes and as a unified whole. If it falls just excluding of being his greatest employment (an honor that goes to the Flying Burrito Brothers« The Gilded Residence of Sin) thanks to a span songs that are a bit too underhanded for their own gain («The New Gentle Shoe» may be magnificent, but who knows just what it»s putative to be about), this album remains a haunting call to mind of Parsons' faculty and wires, and has only gotten better with the passing.

Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]

01. Still Belief Indecent — 2:43
02. We’ll Clean out the Ashes in the Morning — 3:15
03. A Prevarication for You — 5:01
04. Streets of Baltimore — 2:57
05. She — 5:02
06. That’s All It Took — 3:01
07. The New Gentle Shoe — 3:56
08. Peck the Children — 3:01
09. Cry One More But — 3:40
10. How Much I’ve Lied — 2:30
11. Big Stoma Blues — 3:54


Gram Parsons – vocals, acoustic guitar
Emmylou Harris – vocals
Barry Tashian – vocals, accent guitar
Ric Grech – bass guitar
John Conrad – bass
Ronnie Tutt – drums
John Guerin – drums
Sam Goldstein – drums
Glen D. Hardin – piano, part, bandleader
James Burton – stirring guitar, dobro
Al Perkins – pedal bear up guitar
Buddy Emmons – pedal bear up guitar
Byron Berline – fiddle
Alan Munde – banjo on «Still Belief Blue»
Ron Hicklin, Tom Bahler, Mitch Gordon, Lewis Morford – approval vocals on «Kiss the Children»
Hal Battiste – baritone saxophone on «Cry One More Time»

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My thanks to the archetype uploader

Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]

Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]

Gram Parsons – 1973 - GP (2012 MFSL SACD) [mp3@320]

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