Saint-Saens - The Undiminished Piano Concertos - Stephen Hough

  • 30.06.2016, 08:25,
  • Music
Music : Authoritative : Lossless

Saint-Saens: The Unalloyed works for piano & orchestra
Performed by Stephen Hough and Megalopolis of Birmingham Symphony Orchestra
Conducted by Sakari Oramo

Unloose Phase: 10/09/2001

The unalloyed Saint-Saens Piano Concertos with pianist Stephen Hough, released on the Hyperion logo in 2001, was chosen as “Gold Disc” at the 2008 Gramophone Awards – the best of the 30 Records of the Year selected since the awards were launched by Gramophone periodical in 1978.

Do you think this is the best authoritative recording of the last 30 years? Conjecture for yourself.

This two-disc set of the unalloyed works for piano and orchestra is a eminent introduction to a critical light of the composer«s oeuvre. Including the five piano concertos, the set enables the listener to suggestion the composer»s maturing in this fashion, from the quintessentially Fabulous «Concerto No. 1» through the many intriguing idiosyncrasies and structural metamorphoses of the ensuing concertos, to the seductively atmospheric «Concerto No. 5» («Egyptian») and a- integrating of spirited , relaxed expressiveness, elegantly stylized exoticism, and high-spirited expertise.

With his correct approach, artistic worldliness, and lissom yet high pianism, soloist Stephen Hough is the refine interpreter of these concertos, masterfully following the composer's track from the relatively unproblematic Romanticism of the earlier concertos to the subjectivity and advanced esotericism of the later works.

In addendum to purely mechanical challenges, which ponder about the composer«s stupendous mastery of the keyboard, Saint-Saens» concertos instruct rare distinction to wily shifts of color and tonal characteristic. In other words, if «brilliance» is a law characteristic of this music, it is up to the pianist to change between the numerous shades of brightness in accordance with the composer's quicksilver imaginativeness and sudden rush of ideas.

Hough finds outstanding accompaniment in the error-free and well meaningful playing of the Megalopolis of Birmingham Symphony Orchestra under the course of Sakari Oramo. The set also includes four shorter works: the delicately charming «Wedding Coagulate Valse-Caprice,» Op. 76, the nostalgic and wool-gathering «Rapsodie d'Auvergne,» the brilliantly lyrical Allegro appassionato, and the opulently different fancy «Africa.»

In this mammoth, effulgent, vibrant panorama of the profound French composer's oeuvre for piano and orchestra, listeners will locate irregular guides in Stephen Hough and the Megalopolis of Birmingham Symphony Orchestra.


Appreciate and Provocation!!

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