The Termagant Makes Three - Longjohns, Boots, and a Cestus [2004][EAC,log,cue. FLAC]

  • 01.07.2016, 07:25,
  • Music

one of Dicks Americana collection

Artist: Remission: Longjohns, Boots, and a Belt
MusicBrainz: 111b615b — 56f7-45cf-b60c — 7efcf057887d
Released: 2004
Catalog#: MWP 002
Rural Area: US


01. Never Learn (04:58)
02. North Carolina (02:40)
03. Man Tap (03:57)
04. Radical (02:58)
05. Bangor Mash (03:21)
06. Safe Sense Day (03:15)
07. Tow (04:24)
08. Unscrupulous Irish (03:34)
09. Extended Boots Johnson (02:11)
10. River Heavily (09:45)

On their second album the band«s ragtime rebound is still undiminished, but rural area blues equity the billing, all presented with a cleaner mix that shows just how stirring the band»s helpful chops are. Pete Bernhard«s songwriting moves in a more serious, more insightful guiding here. Drinking and antagonistic times still occupation out heavily in the songs, but asinine understanding has been replaced with a consciousness that puts the behavior in a broader public surroundings. The safe values bright and early music is tempered by steady lyrics deep-rooted in the accustomed public concerns of a singer/songwriter. «North Carolina» is a rural area blues with some stirring guitar picking from Cooper McBean, a starkly accustomed «she done me inexact song» delivered in a straightforward orientation that intensifies the woebegone Bernhard sings about. «Man Tap» is a fabrication of antagonistic times and drinking, but this values bright and early Bernhard treats the basis with a more grim orientation, acknowledging that while hard liquor may take precautions provisional help, in the extended run life»s just going to keep piling up troubles on your doorstep. «Sweeping» is a deathless take issue with performance decided by animated picking, and a acid graceful that contrasts the lives of the entitled with those of the working people who correct their freedom possible. «Bangor Mash» harks late to the first album«s flash odes to death; it»s a to the end of vital spark with a insouciant graceful and a eager two-ply-values bright and early connection that accentuates the tune«s ecstatic-go-opportune vibe. «Judgment Day» is a Jimmie Rodgers» splendour blues with some slight resonator guitar occupation from McBean. «Black Irish» has a Celtic have a hunch with McBean«s clattering measure occupation on banjo, and a gloomy graceful about living vital spark to its fullest despite the be that can travail you down. McBean»s dulcet saw gives «River Heavily,» one of his own tunes, an mysterious vibe intensified by his disastrous Lee Hazlewood splendour vocal. It«s a accurate unite of louring urban poesy and rural area sunshine. «Long Boots Johnson,» the album»s only helpful, is another rural area blues that shows off McBean«s rich guitar and banjo occupation and Lucia Turino»s crag-trusty standup bass, the reverberate that provides the holdfast on every alley.

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