Ray Charles 24 Bit Vinyl Crowd

  • 01.07.2016, 09:23,
  • Music

Ray Charles 24 Bit Vinyl Pack

* Genres: R&B, Pop/Rock, Blues, Jazz
* Styles: Antediluvian R&B, Anima, Piano Blues, Jazz Blues
* Provenance: Vinyl
* Codec: FLAC
* Bit Rates: ~ 2,800 — 3,200 kbps
* Bit Perspicacity: 24
* Sampling Status: 96,000 Hz


* Ray Charles
* What'd I Say
* The Ability Sings the Blues
* The Ability Hits the Road
* Selected Songs

Artist Bio

* Ray Charles was the musician most authoritative for developing anima music. Singers like Sam Cooke and Jackie Wilson also did a huge agreement to put in motion the , but Charles did even more to make up a new of negroid pop by merging «50s R&B with fact-powered vocals, adding multitudes of flavor from up to the minute jazz, blues, and (in the »60s) native land. Then there was his singing; his variety was among the most highly-strung and comfortably identifiable of any 20th century thespian, up there with the likes of Elvis and Billie Nonetheless Off. He was also a superlative keyboard contestant, arranger, and bandleader. The light of his 1950s and «60s m, however, can»t veil the happening that he made few undying tracks after the mid-'60s, though he recorded often and performed until the year before his death.

* Sightless since the age of six (from glaucoma), Charles calculated balance and well-read many instruments at the St. Augustine Train for the Unhearing and the Sightless. His parents had died by his antediluvian teens, and he worked as a musician in Florida for a while before using his savings to proceed to Seattle in 1947. By the late-model «40s, he was recording in a orderly pop/R&B variety acquired of Nat «King» Cole and Charles Brown. He got his first Top Ten R&B hit with «Baby, Let Me Orate Your Hand» in 1951. Charles» first recordings came in for their objective interest of evaluation, as they were much milder and less master than the classics that would walk, although they're actually totally enjoyable, showing blinding hints of the skills that were to in a few years.

* In the antediluvian «50s, Charles» resonate started to toughen as he toured with Lowell Fulson, went to New Orleans to m with Guitar Slim (playing piano on and arranging Slim's mountainous R&B hit, «The Things That I Used to Do»), and got a together for R&B Ruth Brown. It was at Atlantic Records that Ray Charles truly initiate his organ, consolidating the gains of late-model years and then some with «I Got a Number,» a covey-two R&B hit in 1955. This is the commotion most usually singled out as his critical show, on which Charles first truly let go with his unmistakable fact-ish grouse, backed by a fixed, bouncy horn-driven arrangement.

* Throughout the «50s, Charles ran off a series of R&B hits that, although they weren»t called «soul» at the nonetheless, did a lot to open the door for the way for anima by presenting a of R&B that was cultivated without sacrificing any highly-strung bottle. «This Little Sheila of Look Through,» «Drown in My Own Tears,» «Hallelujah I Girlfriend Her So,» «Lonely Avenue,» and «The Right Time» were all big hits. But Charles didn«t really nab the pop audience until «What»d I Say,» which caught the fervor of the church with its pleading vocals, as well as the zeal of stupefy & enwrap with its undying electrifying piano queue. It was his first Top Ten pop hit, and one of his certain Atlantic singles, as he progressive the nickname at the end of the '50s for ABC.

* One of the chief attractions of the ABC agreement for Charles was a much greater extent of artistic contain of his recordings. He put it to consumable use on antediluvian-«60s hits like «Unchain My Heart» and «Hit the Way Jack,» which solidified his pop stardom with only a dram of murder fixed devoted to to the R&B he had perfected at Atlantic. In 1962, he surprised the pop times a deliver by turning his concentration to native land & western music, topping the charts with the «I Can»t End Loving You« distinguish, and making a hugely average album (in an era in which R&B/soul LPs seldom scored extreme on the charts) with Up To The Minute Sounds in Native Land and Western Music. Perhaps it shouldn't have been so surprising; Charles had always been eclectic, recording quite a bit of mask-like jazz at Atlantic, with well-known jazz musicians like David »Fathead» Newman and Milt Jackson.

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