Guitar Masters 07 of 16 Bensusan, De Grassi, Identify, Graham

  • 01.07.2016, 20:45,
  • Music
Guitar Masters 07 of 16 Bensusan, De Grassi, Influence, Graham

Still today people ask me about the old guitar torrents that I shared years ago at my first times at the Bay.

They often tell me that is laborious to recover them all, cause the TPB search mechanism sucks, cause their trackers are smothered and they seem deserted.

So I've incontrovertible to reshare them all with a unifying procedure in the name of the flood:

Guitar Masters

followed by a multitude, so those who are interested can recover them easily.

They extent essentially with fingerstyle, and the albums they contain are not superficially undisturbed to recover... so dont upon overall 320 bitrates.

The founding criterion here is to recover and memorialize them as a certificate of leading music of the past.

From :)








Pierre Bensusan is a French-Algerian guitarist.

The sort of his acoustic guitar music is often characterized as Celtic, People, In Every Respect music, New Age, or Senate jazz.

He signed the commitment for his first album, Pres de Paris, when he was just seventeen.

He has a stature as something of an innovator in the division of solitary acoustic guitar, including his use of the DADGAD tuning procedure, and his experimentation with electronics such as delays, distortions and tome pedals.

What follows is a anthology of some of his albums... From...


Pierre Bensusan — Bamboule
Pierre Bensusan — Musiques
Bensusan & Malherbe — End in Paris
Bensusan End in Creatum Utrecht 1980
Pierre Bensusan — 2
Pierre Bensusan — Altiplanos
Pierre Bensusan — Intuite
Pierre Bensusan — Warm Feeling
Pierre Bensusan — Pres de Paris
Pierre Bensusan — Spices (1988)
Pierre Bensusan — Wu Wei



Despite the italian name and the german look, Alex De Grassi is an american

One of de Grassi«s trademarks is his adeptness to bring into being a favourably orchestrated enunciate using his solitary guitar and making a considerable use of unwrap tunings. Without overdubs, his playing weaves together euphoniousness, marker-euphoniousness, bass, unanimity, tempo, and pass over-rhythms is such a way as to collapse the premonition of various instruments playing together. Using a extensive palette of techniques and resonance, and driven by a harmonious » suspect of layout, his enigmatic guitar pieces originate to take the listener beyond the compact into a complex tapestry of enunciate.

What follows is a anthology of his albums (mostly from the first to all intents of his trade). Preparing this flood today, I pore over in the FAQ portion of his spot that some of these albums are unavailable in music stores (!).

So from these «unexpected» rarities.


alex de grassi — 1978 - turning turning back
alex de grassi — 1991 - poseidon's kingdom at night
alex de grassi — 1992 - a windham hill retrospective
alex de grassi — 1998 - the hose garden
alex de grassi — altiplano
alex de grassi — beyond the end of day sky
alex de grassi — clockwork
alex de grassi — leaden circle
alex de grassi — southern exposure



Peter Influence is a german guitarist, also go lame of the tag Acoustic Guitar.

His music springs from the French atmospheres «a la Debussy» with a powerful use of chromatic scales...

His cut mixes ageless music, lull, jazz, blues, celtic in a harmonious ' manner...

[...] quand un poeme exquis amene les larmes au bord des yeux, ces larmes ne sont pas la preuve d«un exces de jouissances, elles sont bien plutot le temoignage d»une melanconie irritee, d«une postulation des nerfs, d»une stamp exilee dans l«imparfait et qui voudrait s»emparer immediatement, sur cette terre meme, d'un paradis rélévé.

Charles Baudelaire «Notes nouvelles sur Edgar Poe»

(when an fine rime brings one's eyes to the burden of tears, those tears are not manifest of an intemperance of joy, they are endorse far more to an exacerbated mournfulness, a placing of the nerves, a stamp exiled among undeveloped things, which would like to take, without deferral, a bliss revealed on this very same ground.)

From this anthology of albums from his discography


Peter Influence — Between the Lines
Peter Influence — The Colours of the Night
Peter Influence — Unwrap Strings
Peter Influence — Windspiele
Peter Influence — Pornographic Moon
Peter Influence — Niemansland
Peter Influence — Solo



David Michael Gordon Graham, known as Davey Graham (in the first place Davy Graham), is a guitarist who is one of the most prestigious figures in the people music mutiny in the Coalesced Turf in the 1960s. He inspired many of the honoured practitioners of the fingerstyle acoustic guitar, such as Bert Jansch, John Renbourn, Martin Carthy, Paul Simon and even Jimmy Page...

What follows is a anthology of some of his albums... enjoy


Davey Graham — (1968) Larger than Sentience and Twice as Natural
Davy Graham & Shirley Collins — People Roots, New Routes
Davey Graham — (1965) Midnight Man
Davey Graham — (1969) Hat
Davey Graham — (1970) The Holly Kaleidoscope
Davey Graham — (1976) All That Moody
Davey Graham — After Hours — end 1967 (1997)
Davy Graham — Vim In The Soul
Davy Graham — People, Blues & Beyond
Davy Graham — Playing In Traffic
Davy Graham — The Performed Guitarist
Davy Graham — The Guitar Better Plus
Davey Graham — People Blues And All Points in Between

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