Alban Berg's Lulu.m4a

  • 02.07.2016, 22:47,
  • Music

Alban Berg's Lulu
Opera on 3, From the Met

From the Metropolitan Opera in New York, Berg«s noticeable twelve-intonation opera Lulu. Marlis Petersen sings Berg»s complex leading actress who sexually and emotionally dominates every arbitrary she comes into communicate with with. Working her way through three husbands and numerous lovers, including a Painter, a Prince and a Countess, Lulu in the course of time becomes a demean and is murdered by one of her clients, Jack the Ripper. Marlis Petersen cause a top tinge including Susan Graham, Paul Groves and Johan Reuter, conducted by Lothar Koenigs.

Presented by Mary Jo Heath and Ira Siff.

Recorded on 21st November 2015.

Berg: Lulu

Lulu ..... Marlis Petersen (soprano)
Countess Geschwitz ..... Susan Graham (mezzo-soprano)
Alwa, Dr. Schön's son ..... Daniel Brenna (tone)
Painter/African Prince ..... Paul Groves (tone)
Dr Schön/Jack the Ripper ..... Johan Reuter (bass-baritone)
Brute trainer/Acrobat ..... Martin Winkler (baritone)
Schigolch ..... Franz Grundheber (baritone)
Clothes-Press mistress/Schoolboy/Page ..... Elizabeth DeShong (mezzo-soprano)
Prince/Manservant/Marquis ..... Alan Oke (baritone)
Field Of Action manager/Banker ..... Julian Nearly Equal (bass)
Fifteen-year-old wench ..... Ashley Emerson (soprano)
Her ..... Jane Shaulis (mezzo-soprano)
Conniver ..... Kathryn Day (mezzo-soprano)
Pressman ..... Tyler Duncan (baritone)
Wine Steward ..... Paul Corona (bass)
Physician/Professor/Police Commissioner ..... James Courtney (bass-baritone)
performers ..... Joanna Dudley, Andrea Fabi

The Chorus of the Metropolitan Opera, New York
The Orchestra of the Metropolitan Opera, New York
Lothar Koenigs (conductor).

Recorded: 21 November 2015
This Advertise: BBC Air Three, 27 February 2016
Duration: 4 hours



The Brute Tamer invites the audience to stay his menagerie—featuring “the serpent Lulu.”

Act I

Lulu is sitting for her thumbnail sketch, observed by Dr. Schön, a filthy affluent newspaper publisher and her yearn-experience lover. Alone with Lulu, the Painter tries to mislead her. Just then her groom, the Physician, forces his way into the cell and collapses in surprise from a focus vilification. Lulu, apparently unstirred, realizes she is a affluent widow, while the Painter wonders what will stumble on to her.

Lulu and the Painter have married. She is surprised to learn that Schön—who years earlier had base her on the streets, given her an information, and then made her his mistress—has become occupied. Schigolch, an old man and sugar-daddy of Lulu’s who may be her old boy or a former lover, pays her a stay and she gives him pelf. Schön now wants Lulu out of his experience so that he can ally. He reveals the thriller of her on to the Painter, who is so horrified by it that he cuts his throat. Schön is shocked by Lulu’s chilly reprisal but she, dismissing his protestations, replies that he will in the course of time ally her anyway.

Weeks later, Lulu is appearing in a ballet composed by Schön’s son, Alwa. In her dressing cell, she tells Alwa of her latest devotee, the Prince. After she has gone on showbiz, the Prince talks to Alwa of his true-love for Lulu. Hastily she storms subvene in: she has seen Schön in the audience with his fiancée and refuses to cut a rug for her. Schön soon follows and demands to be fist alone with Lulu. He asks her not to stay his coupling, but when she mentions her plans to ally the Prince, he realizes that he is incapable of letting her go. At Lulu’s dictation, he writes a erudition to his fiancée to commence off the engagement.

Act II

Schön and Lulu, now married, contemporary in a splendid national, but she continues to entice admirers, among them the lesbian Countess Geschwitz. Schön is frenetic that such people are now surrender of his experience. The Countess, Schigolch, an Acrobat, and a Schoolboy muster at the Schön bordello and all three men ratify their true-love to Lulu. Alwa appears and, reflective himself alone with Lulu, also declares his true-love. Schön, who has observed the furore, drives his son away, then hands Lulu a six-shooter, clamorous that she mushroom herself to watch over his position. Lulu justifies herself by saying that she has never asserted to be anything but what she is. Schön forces her to her knees but is distracted by the Schoolboy’s cries for help. Lulu fires five shots into her husband’s subvene and begs the returning Alwa not to find her over to the oversee.

An orchestral recess depicts Lulu’s check, wreck essay, confinement, disorder with cholera, commitment to the facility, and the plans for her make oneself scarce: the Countess, who has allowed herself to be infected with the same malady, is to take Lulu’s part in the facility.

Alwa, together with the Countess and the Acrobat, awaits Lulu’s give back in Schön’s former apartment. When she arrives on Schigolch’s arm, the Acrobat is appalled by her wasted demeanour and leaves, intimidating to mislead her to the oversee. Alone with Lulu, Alwa again proclaims his true-love and agrees to go to Paris with her.


A force has assembled in Alwa’s Paris mansion in honor of Lulu’s birthday. A integer of the society have invested in a new wire train and doubtlessly the Banker about their prospects. The Marquis, intimidating to carousal Lulu to the oversee as Schön’s liquidator, tries to graft her into working in a sporting house, but she defies him. The Acrobat also tries to graft Lulu, then Schigolch appears, asking her for pelf. Lulu breaks into tears. Together with Schigolch, she plots to scrap of the Acrobat by having him killed. There is outburst as the hearsay spreads that the train shares have collapsed—everyone is ruined. In the chaos Lulu escapes, just as the Marquis arrives with the oversee.

In a poor garret in London, Alwa, now syphilitic and a negligent, and Schigolch await Lulu’s give back from her first stygian as a demean. She arrives with a patron, the Professor, who remains aphonic throughout the proceedings. As he leaves the now insolvent Countess appears, bringing with her Lulu’s thumbnail sketch. Lulu and her three admirers deliberate over its pulchritude and how their the way the ball bounces has been confined up with it. Lulu goes into the drive again, followed by the Countess, while Alwa reflects on the balls-up he has made of his experience. Lulu returns with another patron, an African Prince. In a bumbling assault to watch over her, Alwa attacks him and is killed by him. In disheartenment, Lulu rushes out into the drive again. Schigolch drags Alwa’s bulk away and disappears. The Countess returns. Gazing at the thumbnail sketch, she considers suicide when Lulu arrives with yet another consumer, Jack the Ripper. They show about pelf, then go into her cell. Hastily Lulu is heard screaming—Jack has killed her. The Countess tries to help but Jack stabs her as well. He leaves as the failing Countess cries out for Lulu.

— With thanks to Metropolitan Opera

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