Superchunk - Discography (1990-2013) [FLAC]

  • 03.07.2016, 04:12,
  • Music

Superchunk — Discography (1990-2013) [FLAC]

Respectability: Pop/Rock
Styles: Indie Stone, Another, Chapel Hill
Author: CD
Codec: FLAC
Bit Rates: ~ 800 — 1,000 kbps
Bit Penetration: 16
Sampling Have A Claim To: 44,100 Hz

1990 Superchunk
1991 No Pocky For Kitty
1992 Tossing Seeds (Singles 89-91)
1993 On The Mouth
1994 Foolish
1995 Here’s Where the Strings Come In
1995 Inconsequential Music 1991-95
1997 Indoor Living
1999 Come Pick Me Up
2001 Here’s to Shutting Up
2010 Majesty Shredding
2013 I Abhorrence Music


The Chortling Guns
Hello, Hawk
On Letterhead It Made Proficient Sense

Perhaps no bandeau was more representational of the spot on panache of American indie stone during the 1990s thanSuperchunk, the prize of Chapel Hill, North Carolina. Following the D.I.Y. ethic to the message, the bandmembers operated solely by their own rules, ignoring all momentary trends by sticking to their trademark vigorous -- typified by the buzzing guitars and sharp, aroused vocals of frontman Mac McCaughan -- and rejecting all greater-tag advances in favor of the unbounded presumptuousness afforded by owning their own ensemble, the effectively fortunate Pool Records. Although Superchunk's maquis to the overtures of the music attempt may have poor them of the wider audience their m equitable, perhaps their greatest legacy remains their unwavering loyalty to the indie institution, a representation that other up-and-coming bands often try hard to emulate.

Superchunk were formed in the college hamlet of Chapel Hill in 1989 by singer/guitarist McCaughan, bassist Laura Ballance, drummer Chuck Garrison, and guitarist Jack McCook. Initially dubbed merelyChunk -- the «Super» prefix was later added to keep away from abashment with a similarly named New York See avant jazz bandeau -- the alliance issued its launch distinct, What Do I, on the Pool tag, which was jointly run byMcCaughan and Ballance. The tag along-up was 1990«s epochal Careless Motherfucker, MacCaughan»s blistering outburst against a dilatory Kinko's co-craftsman. The distinct was at once hailed on both sides of the Atlantic as one of the accurate indie anthems of the era, and with the successive circulate of their self-titled launch LP, Superchunk were extensively illustrious among the most encouraging girlish bands in America.

As the good of acts like Nirvana and Flower Jam made Seattle the anciently-'90s music upset du jour, tag heads scrambled to chance the next another stone breeding ground. Chapel Hill became the consensus pick, and Superchunk were tapped as the Next Big Subject. The quartet -- which had afterwards exchanged McCook for guitaristJim Wilbur -- soon set up itself in the halfway point of a greater-tag order war, but the bandmembers defiantly stuck to their guns, residual on Pool for their smart 1991 sophomore attempt No Pocky for Pool, recorded by Steve Albini and distributed by Matador. A singles garnering, Tossing Seeds, followed in 1992, and a year laterSuperchunk -- now with new drummer Jon Wurster -- returned with the unrivalled On the Opening, highlighted by the singles «Mower» and «The Entertain Is How Fast.»

In reckoning to Superchunk«s unfailing globe-trot itinerary and creative recording outline, McCaughan released the 1994 LP I Assumption Your Consideration Is Not Breakable, the first greatest degree-completely circulate from his side poke out Portastatic. Even as media distinction shifted elsewhere,Superchunk forged forwards, following the circulate of 1994»s Foolishwith Inconsequential Music, a second compilation of singles, B-sides, compilation tracks, and other assorted offerings. Released in 1995,Here«s Where the Strings Come In heralded a machiavellian delicacy of their insides vigorous, and was supported by a globe-trot on the second level at that summer»s Lollapalooza festival; the first distinct and video, the surging «Hyper Enough,» was even a youngster hit. A brief hiatus preceded the circulate of the 1996 EP The Chortling Guns, the greatest degree-completely Indoor Living appeared the next year, andSuperchunk returned again in 1999 with Come Pick Me Up.

Ten years on, Superchunk remained as creative as ever with their eighth greatest degree-completely circulate, Come Pick Me Up, which arrived in 2001. A third garnering of singles, the twofold-disc Cup of Sand, followed in 2003, compiling the band«s singles and assorted rare tracks from 1995 to 2002. Superchunk contributed songs to various compilations over the following years, including a whimsical duet with Meatwad, the meatball-shaped respectability from Comedy Central»s Aqua Teen Yen Crave Pressure, which in the final appeared on the show«s soundtrack. They also released substantial on their own, including the 2009 EP Leaves in the Gutter. The band»s ninth album, Majesty Shredding, arrived the following September. They showed no signs of slowing down and released I Abhorrence Music in the summer of 2013, following it up with a monthlong U.S. globe-trot.

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