The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]

  • 05.07.2016, 04:21,
  • Music
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The Doobie Brothers – 1975 - Stampede

(2013 MFSL SACD) [FLAC@88.2khz24bit]

The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]

The Doobie Brothers

The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]
The Doobie Brothers in 1982

The Doobie Brothers are an American beyond repair c destitute confederate. The confederate has sold more than 40 million albums worldwide throughout their m. The confederate has been operative in five decades, with their biggest good occurring in the 1970s. The confederate was inducted into the Vocal Confederate Classroom of Superiority in 2004.

Drummer John Hartman arrived in California in 1969 obstinate to be met by Caper Spence of Moby Grape and connect an aborted Grape reunion. Spence introduced Hartman to chorus-boy, guitarist, and songwriter Tom Johnston and the two proceeded to make up the pith of what would become the Doobie Brothers. Johnston and Hartman called their fledgling confederate «Pud» and experimented with lineups (once in a while including Spence) and styles as they performed in and around San Jose. They were mostly a power triplex (along with bassist Greg Murphy) but concisely worked with a horn section.

Stampede (2013 MFSL SACD)

The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]

Artist: The Doobie Brothers
Head: Stampede
Size: SACD, Combination, Minimal Number, Numbered, Remastered, Reissue, Gatefold
SACD Mastering: Rob LoVerde at Transportable Fidelity Look Lab, Sebastopol, CA.

Creator: Ted Templeman
Unveil Old: April 25, 1975, (MFSL 2013)
Recorded: Sept. 9 - Oct. 6, 1974
Docket: Warner Bros. Records, Transportable Fidelity Look Lab
Catalog: UDSACD 2061
Barcode: 8 21797 20616 7
Category: Beyond Repair C Destitute, Enduring Beyond Repair C Destitute, Blues Beyond Repair C Destitute, Boogie Beyond Repair C Destitute, Liberal Rock
Duration: 41:09

Flee is the fifth studio album by American beyond repair c destitute confederate The Doobie Brothers, released in 1975. It was the indisputable album by the confederate before Michael McDonald replaced Tom Johnston as female lead diva and first songwriter. The album has been certified gold by the RIAA.

AllMusic Weigh by Bruce Eder:
Talk about greatness — the Doobie Brothers, with Jeff “Skunk” Baxter added to their lineup, delivered their best album to old helped by a completely big hit, though “Take Me in Your Arms” never did anything confidential to its predecessors despite some chords and modulations that recalled “Black Water” ever so a little. Stampede’s chastity was its musicianship, which, in to boot to new associate Baxter, was also showcased in the guises of some portentous guests. the Doobie Brothers’ rootsiest album to old, Flee was talented warm countrified beyond repair c destitute of a hardy temperament, crossing over into blues as well as reaching rearwards to a raw, usual beyond repair c destitute & flow look that wouldn’t have sounded too out of village 20 years earlier. That was the opener, the searing “Sweet Maxine,” which just might’ve made a substantial distinct with an restyle or two to produce a overthrow it down to three and a half minutes; the transcribe gets better with the bouncing “Neal’s Fandango,” which is highlighted by lyrical as well as valuable acrobatics on the verses and a luscious guitar and piano disclose. “Texas Lullaby” is one of the prettiest pieces of hinterlands beyond repair c destitute (though it’s a little more “Western rock”) to come out of the category since the Byrds and the Beau Brummels had treaded into it eight years earlier, and gets a magnificently warm about from Tom Johnston. And speaking of man, Curtis Mayfield is the arranger on Johnston’s agonizingly-driving “Music Man.” The confederate strips down to its acoustic basics for “Slat Key Soquel Rag,” which could have been an outtake from the group’s self-titled enter album; Maria Muldaur is the customer diva on “I the Executioner,” representing Patrick Simmons’ songwriting at its most ethereal. Baxter’s “Précis” was the group’s nod to traditional and Spanish guitar skilfulness, and “Rainy Day Crossroad Blues” provides customer artist Ry Cooder with a fantabulous canvas on which to step out his mind to guitar licks. And the album lands with its feet unwaveringly in 1970s-stylishness roots beyond repair c destitute on “I’ve Been Workin’ on You” and “Double Dealin’ Four Flusher”.

The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]

01. Pleasing Maxine — 4:26
02. Neal’s Fandango — 3:16
03. Texas Lullaby — 5:00
04. Music Man — 3:28
05. Lazy Key Soquel Rag — 1:50
06. Take Me In Your Arms (Beyond Repair C Destitute Me A Little While) — 3:39
07. I The Executioner — 6:38
08. Precis — 0:56
09. Rainy Day Crossroad Blues — 3:45
10. I Been Workin’ On You — 4:22
11. Treacherous Dealin’ Four Flusher — 3:30


The Doobie Brothers:

Tom Johnston – guitars, vocals
Patrick Simmons – guitars, vocals
Jeff «Skunk» Baxter – guitar, stiffen guitar
Tiran Concierge – bass, vocals
John Hartman – drums
Keith Knudsen – drums, vocals

Baxter does not appear in the face hiding-village photo, having outwardly not joined the confederate until after it was taken.

Additional Musicians:

Beak Payne – keyboards
Ry Cooder – bottleneck guitar on «Rainy Day Crossroad Blues»
Maria Muldaur – vocals on «I The Hangman»
Karl Himmel – drums and percussion on «I Been Workin' On You»
Conte and Pete Candoli – trumpets on «I The Hangman»
Bobbye Classroom Concierge – congas on «Take Me In Your Arms (Beyond Repair C Destitute Me a Little While)»
Champion Feldman – marimba, percussion
Ted Templeman – percussion
Sherlie Matthews, Venetta Fields, & Jessica Smith – vocals on «Take Me In Your Arms (Beyond Repair C Destitute Me a Little While)» and «I Been Workin' On You»

This is not my rip
My thanks to the uploader

The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]

The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]

The Doobie Brothers – 1975 - Panic (2013 MFSL SACD) [FLAC@88.2khz24bit]

♪♬♫ TAKE TO! ♪♬♫

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