TrueFire - Shades of Jazz - Kenney Wessel

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TrueFire — Shades of Jazz — Kenney Wessel
TrueFire — Shades of Jazz — Kenney Wessel
TrueFire — Shades of Jazz — Kenney WesselTrueFire — Shades of Jazz — Kenney WesselTrueFire — Shades of Jazz — Kenney WesselTrueFire — Shades of Jazz — Kenney WesselTrueFire — Shades of Jazz — Kenney Wessel

Shades of Jazz
By: Kenney Wessel

About Kenny Wessel's Shades of Jazz
Most Recent harmonic approaches for jazz improvisation

Fist-Possession Techniques
Right-Possession Techniques


Skill Level
Current Intermediate

Electrifying Guitar

Release Date
Jun 11th, 2013

Gemstone agent Roy Whetstine paid $10 at a Tucson gem verify for what his trained eye concern to be the world`s largest diva sapphire, which he later valued at $2.28 million. Conjecture the seller didn't really appreciate what he had in his possession?! Students of jazz guitar can similarly be indiscriminate to the value of what they may already have in their possession.

Most players coming up verge to by the prime triads, minor/major pentatonics and blues scales that they rocked out to in the times gone by, in favor of erudite jazz modes and weird scales. Net result? Too much ever in the weep chasing their tales searching for sounds that were already under their fingertips.

Kenny Wessel’s Shades of Jazz will unclosed your eyes and ears to a more constant outpouring of resourceful and very experienced jazz harmonies -- all generated unreservedly by tweaking prime triads, pentatonics and scales. Kenny will verify you how take those prime scales and a fix note here or there, or progressing them up a whole trace, or down a half-trace, or unreservedly toil them over a different tonality to originate those hip harmonies you get wind of in your chairlady but haven’t yet worked out on the fretboard.

Kenny’s curriculum will petition to players across all genres. “We're going to inquire how to use some of the prime tools and vocabulary that we all have as guitarists and focus them in new ways to widen our harmonic jargon and unclosed up our playing. Jazz, broken-down, jam, fantastic and blues players will be able to put these approaches to toil right away in their improvisations.”

Kenny kicks things off with an insightful series of spokesperson cardinal lessons in Group 1. He discusses diminish tones, chord tones and then shares some valuable spokesperson cardinal applications with demonstrations and a playalong.

Group 2 focuses on using Phrygian rage (built on the 3rd scale of a foremost diminish) to know-how a pre-eminent sturdy. You already know a foremost diminish and so you already know the Phrygian rage. D Phrygian, Bb Foremost, F Mixolydian and C Dorian -- they’re all the same demand notes! Kenny shows you how to take those same notes and figure them to toil over II-V-I in ways you likely haven’t discovered yet. More demonstrations and playalongs here as well.

The Ward Pentatonic concepts in Group 3 will north-easter your scold. Kenny will verify you how to progressing that most affable of scales down a half-trace to make a Lydian sturdy, up a trace for further extensions, up a 5th for a sus sturdy, and up a swiftly 3rd for an alternate pre-eminent sturdy. More demonstrations and playalongs over a II-V-I to put it all to toil in environment.

Foremost Pentatonic is next in Group 4. Swiftly the 6th for altered pre-eminent over a II-V-I course. Swiftly the 3rd for a ward or altered pre-eminent sturdy. Group 5 digs in to applications for ward and foremost triads to originate lydian, sus and altered pre-eminent sounds. Don’t put the box down -- more demonstrations and II-V-I playalongs for you to toil with.

All of the demonstrations are presented over a measure oversee for environment. Kenny then breaks down the pertinence in a guileless and very obtainable politesse. Everything is tabbed and notated, plus you'll also get all of the measure tracks to work the applications on your own.

While it turned out that Whetstine’s sapphire wasn’t all he claimed it to be (very lousy gem calibre) that is NOT the container with Shades of Jazz -- if you wing it, you’re but a click away from the overprotect lode.

Content Runtime: 3 Hours 20 Minutes

Jam tracks (patronage tracks): MP3 44100Hz stereo 128kbps Calibre : WEBRip Style : MP4 Video codec : H.264 Audio codec : AAC Video : Video: MPEG4 Video (H264) 25fps Audio : Audio: AAC 48000Hz stereo

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